[Banes, Sally and André Lepecki. 2007. Introduction to The Senses in Performance, edited by Sally Banes and André Lepecki, 1-7. Worlds of Performance, Abingdon: Routledge.]Search in Google Scholar
[Barbieri, Donatella. 2017. Costume in Performance. Materiality, Culture, and the Body. London and New York: Bloomsbury.10.5040/9781474285353]Search in Google Scholar
[Bicât, Tina. 2012. Costume and Design for Devised and Physical Theatre. Ramsbury: Crowood Press.]Search in Google Scholar
[Blair, Elizabeth. 2012. “The Strange Story of the Man Behind ‘Strange Fruit’.” Music News, National Public Radio. September 5, 2012. https://www.npr.org/2012/09/05/158933012/the-strange-story-of-the-man-behind-strange-fruit]Search in Google Scholar
[Bruzzi, Stella. 1997. Undressing Cinema. Clothing and Identity in the Movies. Abingdon: Routledge.]Search in Google Scholar
[Burt, Ramsay. 2006. Judson Dance Theater. Performative Traces. Abingdon: Routledge.10.4324/9780203969663]Search in Google Scholar
[Burt, Ramsay. 2017. Ungoverning Dance. Contemporary European Theatre Dance and the Commons. Oxford Studies in Dance Theory, New York: Oxford University Press.10.1093/acprof:oso/9780199321926.001.0001]Search in Google Scholar
[Dance Info Finland. 2018. “Facts & Figures.” https://www.danceinfo.fi/en/statistics/performances/]Search in Google Scholar
[DeFrantz, Thomas F. 2002. Dancing Many Drums: Excavations in African American Dance. Madison: University of Wisconsin Press.]Search in Google Scholar
[Di Benedetto, Stephen. 2010. The Provocation of the Senses in Contemporary Theatre. New York: Routledge.10.4324/9780203852095]Search in Google Scholar
[Entwistle, Joanne. 2015. The Fashioned Body. Fashion, Dress and Modern Social Theory. 2nd ed. Cambridge: Polity.]Search in Google Scholar
[Fensham, Rachel. 2014. “Repetition as a Methodology: Costumes, Archives and Choreography.” Scene 2(1+2): 43-60.10.1386/scene.2.1-2.43_1]Search in Google Scholar
[Fischer-Lichte, Erika. 2008. The Transformative Power of Performance. A New Aesthetics, translated by Saskya Iris Jain. London: Routledge.]Search in Google Scholar
[Gondola, Ch. Didier 1999. “Dream and Drama: The Search for Elegance among Congolese Youth.” African Studies Review 42(1): 23-48.10.2307/525527]Search in Google Scholar
[Gonzalez, Anita. 2014. “Navigations: Diasporic Transports and Landings.” In Black Performance Theory, edited by Thomas F. DeFrantz and Anita Gonzalez, 19-32. Durham and London: Duke University Press.10.1215/9780822377016-002]Search in Google Scholar
[Hammergren, Lena and Susan L. Foster. 2016. “Dancing the Political.” In Choreography and Corporeality. Relay in Motion, edited by Thomas F. DeFrantz and Philipa Rothfield, 291-305. New World Choreographies, London: Palgrave Macmillan.10.1057/978-1-137-54653-1_18]Search in Google Scholar
[Helve, Tua and Sofia Pantouvaki. 2016. “Sharing ‘Untamed Ideas’: Process-based Costume Design in Finnish Contemporary Dance through the Work of Marja Uusitalo.” Scene 4(2): 149-72.10.1386/scene.4.2.149_1]Search in Google Scholar
[Hopgood, Jeremy. 2016. Dance Production: Design and Technology. New York: Focal Press.10.4324/9781315758183]Search in Google Scholar
[Howard, Pamela. 2009. What is Scenography? 2nd ed. Abingdon: Routledge.10.4324/9780203875230]Search in Google Scholar
[Kaiser, Susan B. 2012. Fashion and Cultural Studies. London: Berg.]Search in Google Scholar
[Kilumanga, Milja Amita. “Race as Costume. The Challenges and Choices that a Costume Designer Faces when Designing a Representation of the ‘Black Woman’.” Master’s thesis, Aalto University, 2016.]Search in Google Scholar
[Koiso-Kanttila, Karoliina. 2014. Interview with the author. August 26, 2014.]Search in Google Scholar
[Krippendorff, Klaus. 2013. Content Analysis. An Introduction to Its Methodology. 3rd edn. Thousand Oaks: Sage.]Search in Google Scholar
[Kukkonen, Aino. 2016. “Rural and Urban Encounters in Reijo Kela’s Choreographies Ilmari’s Ploughed Field and Cityman.” Nordic Theatre Studies 28(1): 64-75.10.7146/nts.v28i1.23973]Search in Google Scholar
[Lehmann, Hans-Thies. [1999] 2006. Postdramatic Theatre, translated by Karen Jürs-Munby. Abingdon: Routledge.10.4324/9780203088104]Search in Google Scholar
[Lepecki, André. 2011. Introduction to Dance. Documents of Contemporary Art, edited by André Lepecki, 14-23. Cambridge: Whitechapel Gallery and The MIT Press.]Search in Google Scholar
[Lindfors, Sonya. 2017. Telephone interview with the author. December 8, 2017.]Search in Google Scholar
[Manninen, Elina. 2015. “From Growth to Compost.” Finnish Dance in Focus 2015–2016, 10-11. Vol 16. http://www.danceinfo.fi/finnish-dance-in-focus/]Search in Google Scholar
[McKinney, Joslin and Philip Butterworth. 2009. The Cambridge Introduction to Scenography. Cambridge: Cambridge University Press.10.1017/CBO9780511816963]Search in Google Scholar
[Monks, Aoife. 2010. The Actor in Costume. London: Palgrave.10.1007/978-1-137-02161-8]Search in Google Scholar
[Monks, Aoife. 2015. “Playing the Body: Costume, Stereotypes and Modernity in Performance.” In Costume, edited by Ali Maclaurin and Aoife Monks, 104-40. Readings in Theatre Practice. London: Palgrave.10.1007/978-1-137-02951-5_5]Search in Google Scholar
[Monni, Kirsi. 2015. “Considering the Ontological Premises for Tools in Artists’ Education–on Poiesis and Composition.” Nordic Journal of Dance 6(2): 4-11.10.2478/njd-2015-0011]Search in Google Scholar
[Norgren, Catherine F. 2003. “Seeing Feelings: Costume Design and Dance.” In The Dance Experience. Insights Into History, Culture and Creativity, edited by Myron Howard Nadel and Marc Raymond Strauss, 239–54. 2nd edn. Hightstown: Princeton Book Company.]Search in Google Scholar
[Ojala, Raija and Kimmo Takala, eds. 2007. Zodiak–Uuden tanssin tähden. Helsinki: Like.]Search in Google Scholar
[Palmgren, Sari. 2017. “Performances: The Earth Song.” http://www.saripalmgren.com/the-earth-song/]Search in Google Scholar
[Preston-Dunlop, Valerie. 1998. Looking at Dances: a Choreological Perspective on Choreography. London: Verve.]Search in Google Scholar
[Pype, Katrien. 2007. “Fighting Boys, Strong Men and Gorillas: Notes on the Imagination of Masculinities in Kinshasa.” Africa: The Journal of the International African Institute 77(2): 250-71.10.3366/afr.2007.77.2.250]Search in Google Scholar
[Rainer, Yvonne. [1965] 2012. “On Dance for 10 People and 12 Mattresses called Parts of Some Sextets.” Reproduced in Dance. Documents of Contemporary Art, edited by André Lepecki, 4. Cambridge: Whitechapel Gallery and The MIT Press.]Search in Google Scholar
[Renvall, Janne. “What Makes the Difference in Costume Design for Contemporary Dance? From the Point of View of Pieces of Colour, Colour and Play and a Costume Designer.” Master’s thesis, Aalto University, 2016.]Search in Google Scholar
[Simpson Fletcher, Yaël. 2002. “’History Will One Day Have Its Say’: New Perspectives on Colonial and Postcolonial Congo.” Radical History Review 84(1): 195-207.10.1215/01636545-2002-84-195]Search in Google Scholar
[Törmi, Kirsi. “Koreografinen prosessi vuorovaikutuksena.” [Choreographic Process as Interaction.] Doctoral thesis, Theatre Academy, 2016.]Search in Google Scholar
[Törmi, Kirsi. 2017. Personal telephone communication with the author. December 15, 2017.]Search in Google Scholar
[Uusitalo, Marja. 2006. “A Dancer’s Costume–Visionary and Concrete.” In Theatre People–People’s Theatre: Finnish Theatre and Dance 2006, edited by Kaisa Korhonen and Katri Tanskanen, 96-102. Helsinki: Like.]Search in Google Scholar
[Weckman, Joanna. 2009. “Puku ja tutkimus.” In Näkyvää ja näkymätöntä, edited by Laura Gröndahl, Teemu Paavolainen and Anna Thuring, 172-200. Näyttämö & Tutkimus 3. Helsinki: Teatterintutkimuksen seura. http://teats.fi/wp-content/uploads/2016/01/TeaTS3.pdf]Search in Google Scholar
[Weckman, Joanna. 2014. “’Kun sai hyvät kritiikit niin... sen muisti aina’–näyttämöpuku, pukusuunnittelija ja teatterikritiikki.” In Teatteri ja media(t), edited by Marjatta Häti-Korkeila, Hanna Järvinen, Jukka Kortti and Riku Roihankorpi, 37–71. Näyttämö & Tutkimus 5. Helsinki: Teatterintutkimuksen seura. http://teats.fi/wp-content/uploads/2016/01/TeaTS5.pdf]Search in Google Scholar
[Weckman, Joanna. “Kun jonkun asian tekee, se pitää tehdä täydellisesti”–Liisi Tandefelt pukusuunnittelijana 1958–1992.” Doctoral thesis, Aalto University, 2015.]Search in Google Scholar
[Ylitalo, Silja. 2013. “Musta on pintaa.” Maailman kuvalehti 12, December 4. https://www.maailmankuvalehti.fi/2013/12/pitkat/musta-on-pintaa]Search in Google Scholar
[Zodiak 2011. “Esitysarkisto 2011. Kirsi Törmi: AmazinGRace.” http://www.zodiak.fi/kalenteri/amazingrace]Search in Google Scholar
[Zodiak 2013a. “Performance Archive 2013. Sonya Lindfors: Noir?” http://www.zodiak.fi/en/calendar/noir]Search in Google Scholar
[Zodiak 2013b. “Performance Archive 2013. Sari Palmgren: The Earth Song.” http://www.zodiak.fi/en/calendar/earth-song]Search in Google Scholar
[Zodiak 2017. “Zodiak Info. History.” http://www.zodiak.fi/en/zodiak-short/history]Search in Google Scholar
[Zodiak 2018. “Zodiak Info. Vuosikertomukset.” [Annual Report] http://www.zodiak.fi/info/vuosikertomukset]Search in Google Scholar