[
Adorno, Theodor W. “After Auschwitz. Meditations on Metaphysics.” Negative Dialectics. Trans. E. B. Ashton. New York: Continuum, 1973. Print.
]Search in Google Scholar
[
Agamben, Giorgio. Homo sacer: Il potere sovrano e la nuda vita [Homo sacer: Sovereign Power and Bare Life]. Torino: Giulio Einaudi, 1995. Print.
]Search in Google Scholar
[
“Audiokommentar mit Alan Parker” [“Audio Commentary with Alan Parker”]. Bonus Features. Angel Heart. Tri-Star Pictures, 1987. DVD.
]Search in Google Scholar
[
Barker, Martin. A “Toxic Genre”: The Iraq War Films. London: Pluto P, 2011. Print.
]Search in Google Scholar
[
Beard, Phillip. “Technical Aristocracy and the Dark Mirror of German Fate in The Quiller Memorandum and Gravity’s Rainbow. Or: The End of Bugs Bunny, Heroic Line at the Orpheus Theater, Los Angeles, 1973.” Die amerikanische Reeducation-Politik nach 1945: Interdisziplinäre Perspektiven auf “America’s Germany” [The American Reeducation-Politics after 1945: Interdisciplinary Perspectives on “America’s Germany”]. Ed. Katharina Gerund and Heike Paul. Bielefeld: Transcript, 2015. 207–24. Print.
]Search in Google Scholar
[
Bellah, Robert N. “Civil Religion in America.” Religion in America. Spec. issue of Daedalus: Journal of the American Academy of Arts and Sciences. 96.1 (1967): 1–21. Rpt. on Robertbellah.com. 2013. Web. 10 Feb. 2023.
]Search in Google Scholar
[
Bloom, Harold. “Freud: Frontier Concepts, Jewishness, and Interpretation.” American Imago 48.1 (Spring 1991): 135–52. Print.
]Search in Google Scholar
[
Caruth, Cathy. “Introduction.” Trauma: Explorations in Memory. Ed. Cathy Caruth. Baltimore and London: The John Hopkins UP, 1995. 3–12. Print.
]Search in Google Scholar
[
Cawelti, John G. “The Literature of Mystery: Some Reconsiderations.” Mystery, Violence, and Popular Culture: Essays by John G. Cawelti. Eds. Ray B. Browne and Pat Browne. Madison: U of Wisconsin P, 2004. 328–56. Print.
]Search in Google Scholar
[
Cawelti, John G. “Masculine Myths and Feminist Revisions: Some Thoughts on the Future of Popular Genres.” Mystery, Violence, and Popular Culture: Essays by John G. Cawelti. Eds. Ray B. Browne and Pat Browne. Madison: U of Wisconsin P, 2004. 79–94. Print.
]Search in Google Scholar
[
Chenetier, Marc. “‘New American Studies’: Exceptionalism Redux?” European Journal of American Studies 3.3 (2008): 1–10. Print.
]Search in Google Scholar
[
Dick, Philip K. The Man in the High Castle. 1962. London: Penguin, 2015. Print.
]Search in Google Scholar
[
Dixon, Wheeler Winston. “Act of Violence (1949) and the Early Films of Fred Zinnemann.” The Films of Fred Zinnemann: Critical Perspectives. Ed. Arthur Nolletti Jr. Albany: State U of New York P, 1999. 37–53. Print.
]Search in Google Scholar
[
Felman, Shoshana. “Education and Crisis, or the Vicissitudes of Teaching.” American Imago 48.1 (1991): 13–73. Print.
]Search in Google Scholar
[
Giovacchini, Saverio. Hollywood Modernism: Film and Politics in the Age of the New Deal. Philadelphia: Temple UP, 2001. Print.
]Search in Google Scholar
[
Kaplan, Amy. “‘Left Alone with America.’ The Absence of Empire in the Study of American Culture.” Cultures of United States Imperialism. Eds. Amy Kaplan and Donald E. Pease. Durham and London: Duke UP, 1993. 3–21. Print.
]Search in Google Scholar
[
Luce, Henry R. “The American Century.” Rpt. in Diplomatic History 23.2 (1999): 159–71. Print.
]Search in Google Scholar
[
Masco, Joseph. The Theater of Operations: National Security Affect from the Cold War to the War on Terror. Durham: Duke UP, 2014. Print.
]Search in Google Scholar
[
McDonnell, Brian. “Film Noir Style.” Encyclopedia of Film Noir. Eds. Geoff Mayer and Brian McDonnell. Westport, CT: Greenwood P, 2007. 70–84. Print.
]Search in Google Scholar
[
Mulvey, Laura. “Visual Pleasure and Narrative Cinema.” Film Theory and Criticism: Introductory Readings. Eds. Leo Braudy and Marshall Cohen. New York: Oxford UP, 1999. 833–44. Print.
]Search in Google Scholar
[
Orr, Stanley. Darkly Perfect World: Colonial Adventure, Postmodernism, and American Noir. Columbus: The Ohio State UP, 2010. Print.
]Search in Google Scholar
[
Parker, Alan, dir. Angel Heart. Tri-Star Pictures, 1987. DVD.
]Search in Google Scholar
[
Pease, Donald E. “Exceptionalism.” Keywords for American Cultural Studies. Eds. Bruce Burgett and Glenn Hendler. New York: New York UP, 2007. 108–12. Print.
]Search in Google Scholar
[
Poppenberg, Dana, and Gerhard Poppenberg. Martin Scorsese: Einführung in seine Filme und Filmästhetik [Martin Scorsese: Introduction to His Films and Film Aesthetic]. Paderborn: Wilhelm Fink, 2018. Print.
]Search in Google Scholar
[
Rogin, Michael. “Make My Day! Spectacle as Amnesia in Imperial Politics.” Cultures of United States Imperialism. Eds. Amy Kaplan and Donald E. Pease. Durham: Duke UP, 1993. 3–21. Print.
]Search in Google Scholar
[
Sager, Jacob T. “Keeper of the Flame: Antifascist Feature Films and the Hollywood Popular Front, 1934–1941.” MA thesis, Western Washington U, 2015. WWU Graduate School Collection. Web. 10 Feb. 2023.
]Search in Google Scholar
[
Schulz-Buschhaus, Ulrich. “Der Versuch eines realistischen Kriminalromans in der amerikanischen ‘Hard-Boiled School’: Dashiell Hammett und Raymond Chandler” [“The Attempt of a Realist Crime Novel in the American ‘Hard-Boiled School’: Dashiell Hammett and Raymond Chandler”]. Formen und Ideologien des Kriminalromans [Forms and Ideologies of the Crime Novel]. Frankfurt am Main: Athenaion, 1975. 123–54. Print.
]Search in Google Scholar
[
Scorsese, Martin, dir. Shutter Island. Paramount Pictures, 2010. DVD.
]Search in Google Scholar
[
Tocqueville, Alexis de. Democracy in America. Ed. Eduardo Nolla. Trans. James T. Schleifer. Vol. 1. Indianapolis: Liberty Fund, 2012. Print.
]Search in Google Scholar
[
Todorov, Tzvetan. “Typologie du roman policier” [“Typology of the Detective Novel”]. Poétique de la prose [The Poetics of Prose]. Paris: Éditions du Seuil, 1971. 55–65. Print.
]Search in Google Scholar
[
Turner, Frederick Jackson. “The Significance of the Frontier in American History.” Excerpt in Looking Far West: The Search for the American West in History, Myth, and Literature. Eds. Frank Bergon and Zeese Papanikolas. New York: Mentor, 1978. 137–39. Print.
]Search in Google Scholar
[
Winthrop, John. “A Modell of Christian Charity (1630).” The Heath Anthology of American Literature. Ed. Paul Lauter et al. Fourth ed. Vol. 1. Boston: Houghton Mifflin Co., 2002. 296–304. Print.
]Search in Google Scholar
[
Zinneman, Fred, dir. Act of Violence. Loew’s Inc., 1949. DVD.
]Search in Google Scholar
