[
Arnheim, R. (1974). Art and Visual Perception: A Psychology of the Creative Eye. Berkley: University of California Press.
]Search in Google Scholar
[
Buswell, G. Th. (1935). How people look at pictures: a study of the psychology and perception in art. Chicago: University of Chicago Press.
]Search in Google Scholar
[
Dehejia, V. (1997). Discourse in Early Buddhist Art. Visual Narratives of India. New Delhi: Munshiram Manoharlal.
]Search in Google Scholar
[
Filigenzi, A. (2005). Gestures and Things: The Buddha’s Robe in Gandharan Art. East and West, 55(1), 103–116.
]Search in Google Scholar
[
Filigenzi, A. (2003). Narrative Art in Gandhara. In P. Callieri, D. Facenna, & A. Filigenzi, At the Origin of Gandharan Art (pp. 350–374). The Contribution of the Isiao Italian Archaeological Mission in the Swat Valley Pakistan. Ancient Civilizations from Scythia to Siberia 9.
]Search in Google Scholar
[
Giuliani, L. (2003). Bild und Mythos. Geschichte der Bildererzählung in der griechischen Kunst. München: C. H. Beck.
]Search in Google Scholar
[
Gombrich, E. H. (1999). The Image and the Eye. London: Phaidon.
]Search in Google Scholar
[
Luczanits, Ch. (2009). Gandhara: Das buddhistische Erbe Pakistans. Legenden, Klöster und Paradiese. Mainz.
]Search in Google Scholar
[
Rhie Quintanilla, S. (2017). Transformations of Identity and the Buddha’s Infancy Narratives at Kanaganahalli. Archives of Asian Art, 67(1), 111–142.
]Search in Google Scholar
[
Schlingloff, D. (2011). Ajanta. Handbook of the Paintings Volume 1. New Delhi: Indira Gandhi National Centre for Arts.
]Search in Google Scholar
[
Schlingloff, D. (1981). Erzählung und Bild. Die Darstellungsformen von Handlungsabläufen in der europäischen und indischen Kunst. Beiträge zur allgemeinen und vergleichenden Archäologie, 3, 87–213.
]Search in Google Scholar
[
Stoye, M. (2008). The Deva with the Swaddling Cloth: On the Western Origins of Gandharan Birth Iconography and their Implications for the Textual and Art History of the Buddhist Saviour’s Nativity. In C. Bautze-Picron,(ed.),Religion and Art: New Issues in Indian Iconography and Iconology (pp. 1–25). London: British Association for South Asian Studies.
]Search in Google Scholar
[
Taddei, M. (2003). Oral narrative, visual narrative, literary narrative in ancient Buddhist India. In G. Verardi & A. Filigenzi (eds.), Maurizio Taddei, On Gandhara. Collected Articles Volume 2 (pp. 503–516) Napoli: Università degli Studi di Napoli “L’Orientale”.
]Search in Google Scholar
[
Voegtle, S. (2020). Semiotic Investigations Regarding Image Transfer in the Art of Gandhara. In J. Bracker (ed.), Homo Pictor. Image Studies and Archaeology in Dialogue (pp. 215–234). Freiburger Studien zur Archäologie & Visuellen Kultur 2. Heidelberg: Propylaeum. https://doi.org/10.11588/propylaeum.709
]Search in Google Scholar
[
Zin, M. (2018). The Kanaganahalli Stūpa: an analysis of the 60 massive slabs covering the dome. New Delhi: Aryan Books International.
]Search in Google Scholar
[
Zin, M. (2015). «Nur Gandhara? Zu Motiven der klassischen Antike in Andhra (incl. Kanaganahalli).” Tribus. Jahrbuch des Linden-Museums 64, 178–205.
]Search in Google Scholar
