<abstract xmlns="http://www.w3.org/1999/xhtml"><p>The following article concentrates on the analysis between the elements that appear in Lucian Blaga’s theatre. In foreground, it is put the relationship between the playwright and the idea of „dramatic myth”. On the other hand, it is described the way in which the tragic dimension affects the characters of each play, their struggle with suffering and the way they look to religion. Also, it is talked about the difference between the terms „drama”and „theatre”and also, „tragedy”and „tragic”. There are brought different opinions of literary critics, such as Eugen Todoran or Constantin Cubleşan, alongside with other references from writers and filosofers – Mircea Eliade, I. Kant etc. At the end of the study, it is talked about the parallel between the ancient theatre of greeks and the modern theatre of nowadays – especially on the fact that Lucian Blaga’s theatre acts better in the contemporary epoch than in the traditional one.</p></abstract>

The following article concentrates on the analysis between the elements that appear in Lucian Blaga’s theatre. In foreground, it is put the relationship between the playwright and the idea of „dramatic myth”. On the other hand, it is described the way in which the tragic dimension affects the characters of each play, their struggle with suffering and the way they look to religion. Also, it is talked about the difference between the terms „drama”and „theatre”and also, „tragedy”and „tragic”. There are brought different opinions of literary critics, such as Eugen Todoran or Constantin Cubleşan, alongside with other references from writers and filosofers – Mircea Eliade, I. Kant etc. At the end of the study, it is talked about the parallel between the ancient theatre of greeks and the modern theatre of nowadays – especially on the fact that Lucian Blaga’s theatre acts better in the contemporary epoch than in the traditional one.

Măştile Blagiene: O Perspectivă Asupra Mitului Dramatic – Contururi De Formă Şi Fond

Lucian Blaga Yearbook

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

The following article concentrates on the analysis between the elements that appear in Lucian Blaga’s theatre. In foreground, it is put the relationship...

Măştile Blagiene: O Perspectivă Asupra Mitului Dramatic – Contururi De Formă Şi Fond

Online veröffentlicht: 18. Apr. 2020

Seitenbereich: 74 - 87

DOI: https://doi.org/10.2478/clb-2019-0008

Schlüsselwörter
___drama, tragedy, dramatic myth, character’s suffering, contemporary theatre

© 2019 Alina Maria Dumitrescu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Măştile Blagiene: O Perspectivă Asupra Mitului Dramatic – Contururi De Formă Şi Fond

Online veröffentlicht: 18. Apr. 2020

Seitenbereich: 74 - 87

DOI: https://doi.org/10.2478/clb-2019-0008

Schlüsselwörter___drama, tragedy, dramatic myth, character’s suffering, contemporary theatre

© 2019 Alina Maria Dumitrescu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
___drama, tragedy, dramatic myth, character’s suffering, contemporary theatre