When is a Poet an Instapoet?

Abidin, C. (2016). Visibility labour: Engaging with Influencers’ fashion brands and #OOTD advertorial campaigns on Instagram. Media International Australia, 161(1).10.1177/1329878X16665177 Search in Google Scholar

Banet-Weiser, S. (2011). Convergence on the street: rethinking the authentic/commercial divide. Cultural Studies, 25(4-5).10.1080/09502386.2011.600553 Search in Google Scholar

Banet-Weiser, S. (2012). Authentic™: The Politics of Ambivalence in Brand Culture: NYU Press. Search in Google Scholar

Banet-Weiser, S., & Lapsansky, C. (2008). RED is the New Black: Brand Culture, Consumer Citizenship and Political Possibility. International Journal of Communication, 2. Search in Google Scholar

Barbour, K. (2015). Registers of Performance: Negotiating the Professional, Personal and Intimate in Online Persona Creation. In E. Thorsen, H. Savigny, J. Alexander, & D. Jackson (Eds.), Media, Margins and Popular Culture. London: Palgrave Macmillan UK.10.1057/9781137512819_5 Search in Google Scholar

Benthien, C. (2020). Poetry in the digital age. In A. Rodriguez (Ed.), Theories of Lyric. An anthology of world poetry criticism. University of Lausanne. Search in Google Scholar

Bishop, S. (2021). Influencer Management Tools: Algorithmic Cultures, Brand Safety, and Bias. Social Media + Society, 7(1).10.1177/20563051211003066 Search in Google Scholar

Burgess, J. (2021). Platform Studies. In S. Cunningham & D. Craig (Eds.), Creator Culture: An Introduction to Global Social Media Entertainment: NYU Press.10.18574/nyu/9781479890118.003.0005 Search in Google Scholar

Chadwick, A. (2017). The Hybrid Media System: Politics and Power: Oxford University Press.10.1093/oso/9780190696726.001.0001 Search in Google Scholar

Cotter, K. (2019). Playing the visibility game: How digital influencers and algorithms negotiate influence on Instagram. New Media & Society, 21(4).10.1177/1461444818815684 Search in Google Scholar

Cunningham, S., & Craig, D. (2017). Being ‘really real’ on YouTube: authenticity, community and brand culture in social media entertainment. Media International Australia, 164(1).10.1177/1329878X17709098 Search in Google Scholar

Cunningham, S., & Craig, D. (2019a). Creator Governance in Social Media Entertainment. Social Media + Society, 5(4).10.1177/2056305119883428 Search in Google Scholar

Cunningham, S., & Craig, D. (2019b). Social Media Entertainment: The New Intersection of Hollywood and Silicon Valley: New York University Press.10.18574/nyu/9781479838554.001.0001 Search in Google Scholar

Cunningham, S., & Craig, D. (Eds.). (2021). Creator Culture: An Introduction to Global Social Media Entertainment: NYU Press.10.18574/nyu/9781479890118.001.0001 Search in Google Scholar

Daugaard, S. (2018). Collaborating with Gertrude Stein – media ecologies, reception, poetics. (Doctorial Thesis). Linköping University, Linköping. Search in Google Scholar

Deresiewicz, W. (2020). The Death of the Artist: How Creators Are Struggling to Survive in the Age of Billionaires and Big Tech: Henry Holt and co. Search in Google Scholar

Driscoll, B. (2016). Readers of popular fiction and emotion online. In K. Gelder (Ed.), New Directions in Popular Fiction: genre, distribution, reproduction: Palgrave McMillan.10.1057/978-1-137-52346-4_21 Search in Google Scholar

Duffy, B. E. (2017). (Not) Getting Paid to Do What You Love: Gender, Social Media, and Aspirational Work: Yale University Press.10.12987/yale/9780300218176.001.0001 Search in Google Scholar

Duffy, B. E. (2018). #Dreamjob: The possibilities and perils of a social media career. In M. Deuze & M. Prenger (Eds.), Making media: Production, practices and professions: University of Amsterdam Press.10.1017/9789048540150.028 Search in Google Scholar

Duffy, B. E., Poell, T., & Nieborg, D. B. (2019). Platform Practices in the Cultural Industries: Creativity, Labor, and Citizenship. Social Media + Society, 5(4). Retrieved from https://journals.sagepub.com/doi/abs/10.1177/205630511987967210.1177/2056305119879672 Search in Google Scholar

Genz, S., & Brabon, B. A. (2009). Postfeminism: Cultural Texts and Theories: Edinburgh University Press. Search in Google Scholar

Hansen, K. A. (2019). (Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities. Twentieth-Century Music, 16(3).10.1017/S1478572219000276 Search in Google Scholar

Hogan, B. (2010). The Presentation of Self in the Age of Social Media: Distinguishing Performances and Exhibitions Online. Bulletin of Science, Technology & Society, 30(6).10.1177/0270467610385893 Search in Google Scholar

Johnson, M. J. (2017). The rise of the citizen author: Writing within social media. Publishing Research Quarterly, 33(2).10.1007/s12109-017-9505-8 Search in Google Scholar

Johnson, M. J. (2021). Understanding and Incorporating the Contradictions around the Book. LOGOS, 32(3).10.1163/18784712-03104019 Search in Google Scholar

Kovalik, K., & Curwood, J. S. (2019). #poetryisnotdead: understanding Instagram poetry within a transliteracies framework. Literacy, 53(4).10.1111/lit.12186 Search in Google Scholar

Manning, M. (2020). Crafting Authenticity: Reality, Storytelling, and Female Self-Representation through Instapoetry. Storytelling, Self, Society, 16(2).10.13110/storselfsoci.16.2.0263 Search in Google Scholar

Marshall, P. D., Moore, C., & Barbour, K. (2019). Persona Studies: An Introduction: Wiley. Search in Google Scholar

Marwick, A. E. (2015). You May Know Me from YouTube: (Micro-)Celebrity in Social Media. In P. D. Marshall & S. Redmond (Eds.), A Companion to Celebrity. Hoboken, NJ: John Wiley & Sons Inc.10.1002/9781118475089.ch18 Search in Google Scholar

Matthews, K. L. (2019). ‘Woke’ and reading: Social media, reception, and contemporary Black Feminism. Participations – Journal of Audience & Reception Studies, 16(1). Search in Google Scholar

Meisner, C., & Ledbetter, A. M. (2020). Participatory branding on social media: The affordances of live streaming for creative labor. New Media & Society.10.1177/1461444820972392 Search in Google Scholar

Miller, A. (2021). A Digital Revolution? Insiders, Outsiders, and the “Disruptive Potential” of Instapoetry. arcadia, 56(2).10.1515/arcadia-2021-9029 Search in Google Scholar

Murray, S. (2015). Charting the Digital Literary Sphere. Contemporary Literature, 56(2).10.3368/cl.56.2.311 Search in Google Scholar

Murray, S. (2020). 10 Myths About Digital Literary Culture. Post45. Retrieved from http://post45.org/2020/04/10-myths-about-digital-literary-culture Search in Google Scholar

Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media & Society, 20(11).10.1177/1461444818769694 Search in Google Scholar

Pâquet, L. (2019). Selfie-Help: The Multimodal Appeal of Instagram Poetry. The Journal of Popular Culture, 52(2).10.1111/jpcu.12780 Search in Google Scholar

Parnell, C. (2021). Mapping the entertainment ecosystem of Wattpad: Platforms, publishing and adaptation. Convergence, 27(2).10.1177/1354856520970141 Search in Google Scholar

Parnell, C., & Driscoll, B. (2021). Institutions, platforms and the production of debut success in contemporary book culture. Media International Australia. Retrieved from https://journals.sagepub.com/doi/abs/10.1177/1329878X21103619210.1177/1329878X211036192 Search in Google Scholar

Pennlert, J. (2018). Poesi pågår : en studie av Poeter. se 2003-2016. (Doctoral thesis, monograph). Umeå universitet, Umeå. Retrieved from http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-143583 Search in Google Scholar

Poell, T., Nieborg, D. B., & Duffy, B. E. (2021). Platforms and Cultural Production: Polity Press. Search in Google Scholar

Ramdarshan Bold, M. (2016). The return of the social author: Negotiating authority and influence on Wattpad. Convergence: The International Journal of Research into New Media Technologies, 24(2).10.1177/1354856516654459 Search in Google Scholar

Scolari, C. A., Fraticelli, D., & Tomasena, J. M. (2021). A Semio-discursive Analysis of Spanish-speaking BookTubers. In S. Cunningham & D. Craig (Eds.), Creator Culture: An Introduction to Global Social Media Entertainment: NYU Press.10.18574/nyu/9781479890118.003.0008 Search in Google Scholar

Squires, C., & Murray, P. (2013). The Digital Publishing Communications Circuit. Book 2.0, 3(1).10.1386/btwo.3.1.3_1 Search in Google Scholar

Sujon, Z. (2021). The Social Media Age: SAGE. Search in Google Scholar

Vadde, A. (2021). Platform or Publisher. PMLA, 136(3).10.1632/S0030812921000341 Search in Google Scholar

van Driel, L., & Dumitrica, D. (2021). Selling brands while staying “Authentic”: The professionalization of Instagram influencers. Convergence, 27(1).10.1177/1354856520902136 Search in Google Scholar

Vlassis, A. (2021). Global online platforms, COVID-19, and culture: The global pandemic, an accelerator towards direction? Media, Culture & Society.10.1177/0163443721994537 Search in Google Scholar