<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>The aim of this paper is to present a specific literary evolution in the context of catastrophes brought by war, revolutions, pandemics, and natural disaster. Discussing works by Daniel Defoe and the Byron–Shelley circle, we will observe how traumatic events influenced literary and artistic expression, reflecting the social, political, and historical context of the authors’ lives. People tend to relate to heroes and myths more easily in times of crisis, hoping to find force and motivation in their fight for survival and improvement. The myth of Prometheus as a benefactor of mankind was one of the most influential for romantics, with Byron and Shelley casting him as a revolutionary hero that helps man combat the tyranny of his oppressors. Mythopoeic romantic poets such as Blake, Byron, and Shelley hoped to animate their fellows with their revolutionary creation into fighting against autocracy and for their liberties. Mary Shelley, on the other hand, turned Prometheus from the mythical ancient hero of humanity into the modern romantic anti-hero, creating in the process the first modern work of science-fiction.</p>
</abstract>

The aim of this paper is to present a specific literary evolution in the context of catastrophes brought by war, revolutions, pandemics, and natural disaster. Discussing works by Daniel Defoe and the Byron–Shelley circle, we will observe how traumatic events influenced literary and artistic expression, reflecting the social, political, and historical context of the authors’ lives. People tend to relate to heroes and myths more easily in times of crisis, hoping to find force and motivation in their fight for survival and improvement. The myth of Prometheus as a benefactor of mankind was one of the most influential for romantics, with Byron and Shelley casting him as a revolutionary hero that helps man combat the tyranny of his oppressors. Mythopoeic romantic poets such as Blake, Byron, and Shelley hoped to animate their fellows with their revolutionary creation into fighting against autocracy and for their liberties. Mary Shelley, on the other hand, turned Prometheus from the mythical ancient hero of humanity into the modern romantic anti-hero, creating in the process the first modern work of science-fiction.

Natural Disasters and the Rise of the Modern Prometheus

“1 Decembrie 1918” University of Alba Iulia

Acta Universitatis Sapientiae, Philologica

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

{"article-title":"Natural Disasters and the Rise of the Modern Prometheus"}

The aim of this paper is to present a specific literary evolution in the context of catastrophes brought by war, revolutions, pandemics, and natural disaster....

Natural Disasters and the Rise of the Modern Prometheus

Online veröffentlicht: 29. Nov. 2021

Seitenbereich: 18 - 36

DOI: https://doi.org/10.2478/ausp-2021-0002

Schlüsselwörter
Prometheus, myth, modern, pandemic, disasters

© 2021 Petru Ştefan Ionescu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Natural Disasters and the Rise of the Modern Prometheus

Online veröffentlicht: 29. Nov. 2021

Seitenbereich: 18 - 36

DOI: https://doi.org/10.2478/ausp-2021-0002

SchlüsselwörterPrometheus, myth, modern, pandemic, disasters

© 2021 Petru Ştefan Ionescu, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
Prometheus, myth, modern, pandemic, disasters