<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>In this article the author interprets the image of Daenerys Targaryen from the HBO television series, <italic>Game of Thrones</italic> (2011–19) as an allegory for the Me Too movement and as a symbolic depiction of the concepts of women regaining their power. She follows the connection between the emerging visualization of Daenerys with the tiny dragons and ancient depictions of Goddesses and dragons, and connects this motif to feminist scholars who researched the revival of feminine language in the 1970s and the 1980s of the 20th century. The article also suggests that the nudity of women depicted in fantastic art, particularly in images with women and dragons, are not necessarily titillating but representative of the early feminist stage of women seeking a symbolic power figure. The author also contrasts Daenerys’s visualization with those images, suggesting how she demonstrates the evolution of the motif in light of the changing focal points of feminist movements. Daenerys’s image, she suggests, reflects one of the central issues of the Me Too phenomenon – considering the female body as a sanctuary, which even if exposed and suggestive, is dangerous and forbidden to touch.</p>
</abstract>

In this article the author interprets the image of Daenerys Targaryen from the HBO television series, Game of Thrones (2011–19) as an allegory for the Me Too movement and as a symbolic depiction of the concepts of women regaining their power. She follows the connection between the emerging visualization of Daenerys with the tiny dragons and ancient depictions of Goddesses and dragons, and connects this motif to feminist scholars who researched the revival of feminine language in the 1970s and the 1980s of the 20th century. The article also suggests that the nudity of women depicted in fantastic art, particularly in images with women and dragons, are not necessarily titillating but representative of the early feminist stage of women seeking a symbolic power figure. The author also contrasts Daenerys’s visualization with those images, suggesting how she demonstrates the evolution of the motif in light of the changing focal points of feminist movements. Daenerys’s image, she suggests, reflects one of the central issues of the Me Too phenomenon – considering the female body as a sanctuary, which even if exposed and suggestive, is dangerous and forbidden to touch.

The Goddess, Daenerys Targaryen and Me Too Values

Acta Universitatis Sapientiae, Film and Media Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

{"article-title":"The Goddess, Daenerys Targaryen and Me Too Values"}

In this article the author interprets the image of Daenerys Targaryen from the HBO television series, Game of Thrones (2011–19) as an allegory for the Me Too...

The Goddess, Daenerys Targaryen and Me Too Values

Online veröffentlicht: 10. Nov. 2022

Seitenbereich: 139 - 161

DOI: https://doi.org/10.2478/ausfm-2022-0016

Schlüsselwörter
Daenerys Targaryen, Goddess, Me Too, Dragons,

© 2022 Sharon Khalifa-Gueta, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

The Goddess, Daenerys Targaryen and Me Too Values

Online veröffentlicht: 10. Nov. 2022

Seitenbereich: 139 - 161

DOI: https://doi.org/10.2478/ausfm-2022-0016

SchlüsselwörterDaenerys Targaryen, Goddess, Me Too, Dragons,

© 2022 Sharon Khalifa-Gueta, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Schlüsselwörter
Daenerys Targaryen, Goddess, Me Too, Dragons,