<abstract xmlns="http://www.w3.org/1999/xhtml"><p>This paper will present the role of the loops and the peculiarities of the mixed reality experience in the case of the performance of <italic>Illegitimate</italic> (stage adaptation by Adrian Sitaru, based on an original text by Adrian Sitaru and Alina Grigore). The author argues that the loops, defined by Manovich as “a new narrative form appropriate for the computer age” are also the key for the possible reality switches and joinings.</p></abstract>

This paper will present the role of the loops and the peculiarities of the mixed reality experience in the case of the performance of Illegitimate (stage adaptation by Adrian Sitaru, based on an original text by Adrian Sitaru and Alina Grigore). The author argues that the loops, defined by Manovich as “a new narrative form appropriate for the computer age” are also the key for the possible reality switches and joinings.

In-Betweenness and Interactional Presence in Adrian Sitaru’s VR Play, <italic>Illegitimate</italic>

Sapientia Hungarian University of Transylvania

Acta Universitatis Sapientiae, Film and Media Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

In-Betweenness and Interactional Presence in Adrian Sitaru’s VR Play, 

This paper will present the role of the loops and the peculiarities of the mixed reality experience in the case of the performance of Illegitimate (stage...

In-Betweenness and Interactional Presence in Adrian Sitaru’s VR Play, Illegitimate

Online veröffentlicht: 30. Okt. 2019

Seitenbereich: 131 - 142

DOI: https://doi.org/10.2478/ausfm-2019-0019

Schlüsselwörter
VR technology in theatre, presence, immersion, in-betweenness

© 2019 Otília Ármeán, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

In-Betweenness and Interactional Presence in Adrian Sitaru’s VR Play, Illegitimate

Online veröffentlicht: 30. Okt. 2019

Seitenbereich: 131 - 142

DOI: https://doi.org/10.2478/ausfm-2019-0019

SchlüsselwörterVR technology in theatre, presence, immersion, in-betweenness

© 2019 Otília Ármeán, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License.

Schlüsselwörter
VR technology in theatre, presence, immersion, in-betweenness