Computer Simulation of Piano Tones and Design of Virtual Piano System

[1] Fujioka, T., & Ross, B. (2017). Beta‐band oscillations during passive listening to metronome sounds reflect improved timing representation after short‐term musical training in healthy older adults. European Journal of Neuroscience, 46(8). Search in Google Scholar

[2] Fujioka, T. (2018). Distributed neural systems for musical time processing. The Journal of the Acoustical Society of America, 144(3), 1760-1761. Search in Google Scholar

[3] Chi, J. Y., Halaki, M., & Ackermann, B. J. (2020). Ergonomics in violin and piano playing: a systematic review. Applied Ergonomics(88-), 88. Search in Google Scholar

[4] Rokni, E., Adkison, C., & Moore, T. (2017). Phantom partials in the piano sound and the role of the soundboard. The Journal of the Acoustical Society of America, 141(5), 3800-3800. Search in Google Scholar

[5] Cao, C. (2022). Creation characteristics of music piano arrangement based on distributed sensors. Mobile information systems(Pt.22), 2022. Search in Google Scholar

[6] Faraci, P. P., Case, J. A., Farrell, J. M., King, E. A., & Celmer, R. (2018). Dynamic characterization of grand and upright piano action. The Journal of the Acoustical Society of America, 144(3), 1753-1753. Search in Google Scholar

[7] Cunmei, Jiang, Fang, Li, Patrick, & C., et al. (2017). Sensitivity to musical emotion is influenced by tonal structure in congenital amusia. Scientific Reports, 7(1). Search in Google Scholar

[8] Tan, Jack, J., Chaigne, Antoine, Acri, & Antonio. (2018). Operational transfer path analysis of a piano. APPLIED ACOUSTICS. Search in Google Scholar

[9] Mirza, N. M., & Feroze, T. (2020). Piano key identification using labview. Progress in Artificial Intelligence, 9(1). Search in Google Scholar

[10] Einbond, A. (2017). Mapping the klangdom live: cartographies for piano with two performers and electronics. Computer Music Journal, 41(1), 61-75. Search in Google Scholar

[11] David, W., Nick, D., & Stefan, H. (2018). Zero waste: mapping the evolution of the iterative sight-reading of a piano score. Music Theory Spectrum(2), 302-313. Search in Google Scholar

[12] Amc, A., & Granzow, J. (2019). Hyperreal instruments: bridging vr and digital fabrication to facilitate new forms of musical expression. Leonardo Music Journal, 29(6), 14-18. Search in Google Scholar

[13] Zhang, Y., Grice-Patil, Z., Burton, P., & Olman, C. (2018). Neural mechanisms of selective listening to pitch and timbre in musical sounds. The Journal of the Acoustical Society of America, 143(3), 1962-1962. Search in Google Scholar

[14] Gazor, M., & Shoghi, A. (2022). Tone colour in music and bifurcation control. Journal of DifferentWial Equations. Search in Google Scholar

[15] Quiroga-Martinez, D. R., Krzysztof.Basiński, Nasielski, J., Tillmann, B., Brattico, E., & Cholvy, F., et al. (2022). Enhanced mismatch negativity in harmonic compared with inharmonic sounds. The European journal of neuroscience, 56(5), 4583-4599. Search in Google Scholar

[16] Liu, M., & Huang, J. (2020). Piano playing teaching system based on artificial intelligence – design and research. Journal of Intelligent and Fuzzy Systems, 40(1), 1-9. Search in Google Scholar