Uneingeschränkter Zugang

Stained Glass Windows of the Church of Christ the King in Gliwice. Iconography and Restoration

Beata KOMAR

Beata KOMAR

PhD Eng. Arch., Associate Prof.; The Silesian University of Technology, Faculty of ArchitectureGliwice, Poland
Orcid-Profil
Suche nach diesem Autor auf
Sciendo|Google Scholar
KOMAR, Beata
  
31. Dez. 2024
Stained Glass Windows of the Church of Christ the King in Gliwice. Iconography and Restoration's Cover Image
Über diesen Artikel
Vorheriger Artikel
Nächster Artikel
Zitieren
COVER HERUNTERLADEN
Online veröffentlicht: 31. Dez. 2024
Seitenbereich: 53 - 66
Eingereicht: 02. Aug. 2024
Akzeptiert: 14. Dez. 2024
DOI: https://doi.org/10.2478/acee-2024-0028
Schlüsselwörter
© 2024 Beata KOMAR, published by Sciendo
This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Figure 1.

Interior of the Church of Christ the King, present view, 2024, Photo: B. Komar
Interior of the Church of Christ the King, present view, 2024, Photo: B. Komar

Figure 2.

Archival drawings of stained glass, 1937. Archive of Franz Mayer’s studio, Munich
Archival drawings of stained glass, 1937. Archive of Franz Mayer’s studio, Munich

Figure 3.

The left side aisle features stained glass windows from 1937. Photo: B. Komar
The left side aisle features stained glass windows from 1937. Photo: B. Komar

Figure 4.

Stained glass windows of the entrance area, 1937. Photo: B. Komar
Stained glass windows of the entrance area, 1937. Photo: B. Komar

Figure 5.

Stained glass windows in the right side nave,1937. Photo: B. Komar
Stained glass windows in the right side nave,1937. Photo: B. Komar

Figure 6.

undefined

Figure 7.

Stained glass windows in the sacristy, 1937. Photo: B. Komar
Stained glass windows in the sacristy, 1937. Photo: B. Komar

Figure 8.

Examples of signatures of Franz Mayer’s Studio, 1937. Photo: B. Komar
Examples of signatures of Franz Mayer’s Studio, 1937. Photo: B. Komar

Figure 9.

A fragment of stained glass in the main nave designed by Puhl & Wagner, 1943-1944. Photo: B. Komar
A fragment of stained glass in the main nave designed by Puhl & Wagner, 1943-1944. Photo: B. Komar

Figure 10.

An example of stained glass renovation carried out by Ireneusz Franusik’s Stained Glass Studio, 2013–2014. Photo: B. Komar
An example of stained glass renovation carried out by Ireneusz Franusik’s Stained Glass Studio, 2013–2014. Photo: B. Komar
Sprache:
Englisch
Zeitrahmen der Veröffentlichung:
4 Hefte pro Jahr
Fachgebiete der Zeitschrift:
Architektur und Design, Architektur, Architekten, Gebäude
Zeitschrift RSS Feed