<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>Focusing on two iterations of the <italic>Anastasia</italic> topos – the 1997 animated musical movie produced and released by Fox Animation Studios and Takarazuka Revue’s Japanese theatrical musical live performance from 2020 –, this article analyzes the significance and impact of historical events and their dialectic renegotiation by means of mass entertainment in crosscultural cross-media perspective. Drawing on extensive fieldwork and archive research, the current analysis attempts a realistic diagnosis of future international developments based on live theatrical representations as well as their crucial reformulations of reality resulted from the empathic exchange between performers and audiences. Moreover, Japan’s attempts at reconfiguring geopolitical relations crisscrossing increasingly nationalist discourses in the public sphere during the 2010s are projected on the – likewise increasingly – polarized global narratives juxtaposing individual freedoms, rights, aspirations with collective expectations, pressures, anxieties.</p>
</abstract>

Focusing on two iterations of the Anastasia topos – the 1997 animated musical movie produced and released by Fox Animation Studios and Takarazuka Revue’s Japanese theatrical musical live performance from 2020 –, this article analyzes the significance and impact of historical events and their dialectic renegotiation by means of mass entertainment in crosscultural cross-media perspective. Drawing on extensive fieldwork and archive research, the current analysis attempts a realistic diagnosis of future international developments based on live theatrical representations as well as their crucial reformulations of reality resulted from the empathic exchange between performers and audiences. Moreover, Japan’s attempts at reconfiguring geopolitical relations crisscrossing increasingly nationalist discourses in the public sphere during the 2010s are projected on the – likewise increasingly – polarized global narratives juxtaposing individual freedoms, rights, aspirations with collective expectations, pressures, anxieties.

Towards a Historical Be(com)ing into Universal Benevolence: <italic>Anastasia</italic> and Geopolitical Reconfigurations in Late Modernity

American, British and Canadian Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Towards a Historical Be(com)ing into Universal Benevolence:  and Geopolitical Reconfigurations in Late Modernity

Focusing on two iterations of the Anastasia topos – the 1997 animated musical movie produced and released by Fox Animation Studios and Takarazuka Revue’s...

Towards a Historical Be(com)ing into Universal Benevolence: Anastasia and Geopolitical Reconfigurations in Late Modernity

Online veröffentlicht: 26. Jan. 2024

Seitenbereich: 186 - 207

DOI: https://doi.org/10.2478/abcsj-2023-0025

Schlüsselwörter
animation movie, musical theater, historical impersonations, late-modern hierarchies of values, global anxieties

© 2023 Maria Grajdian, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Towards a Historical Be(com)ing into Universal Benevolence: Anastasia and Geopolitical Reconfigurations in Late Modernity

Online veröffentlicht: 26. Jan. 2024

Seitenbereich: 186 - 207

DOI: https://doi.org/10.2478/abcsj-2023-0025

Schlüsselwörteranimation movie, musical theater, historical impersonations, late-modern hierarchies of values, global anxieties

© 2023 Maria Grajdian, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Schlüsselwörter
animation movie, musical theater, historical impersonations, late-modern hierarchies of values, global anxieties