<abstract xmlns="http://www.w3.org/1999/xhtml">

<p>My paper focuses on studying the representations of black masculinity in the Harlem Renaissance’s discourse, and investigates how these representations challenged the limited, reductive and one-dimensional stereotypes which were adopted and further disseminated by the popular culture of the time. To do so, I will analyze a number of black male characters depicted in the silent film, Within Our Gates (1920), of the African American filmmaker Oscar Micheaux.</p>
</abstract>

My paper focuses on studying the representations of black masculinity in the Harlem Renaissance’s discourse, and investigates how these representations challenged the limited, reductive and one-dimensional stereotypes which were adopted and further disseminated by the popular culture of the time. To do so, I will analyze a number of black male characters depicted in the silent film, Within Our Gates (1920), of the African American filmmaker Oscar Micheaux.

Representations of Black Masculinity in Oscar Micheaux’s Silent Film <italic>Within Our Gates</italic>

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Representations of Black Masculinity in Oscar Micheaux’s Silent Film 

My paper focuses on studying the representations of black masculinity in the Harlem Renaissance’s discourse, and investigates how these representations...

Representations of Black Masculinity in Oscar Micheaux’s Silent Film Within Our Gates

Online veröffentlicht: 05. Jan. 2021

Seitenbereich: 31 - 37

DOI: https://doi.org/10.1515/rjes-2020-0005

Schlüsselwörter
black masculinity, Oscar Micheaux, race films, the Harlem Renaissance

© 2020 Fatma Chenini, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Representations of Black Masculinity in Oscar Micheaux’s Silent Film Within Our Gates

Online veröffentlicht: 05. Jan. 2021

Seitenbereich: 31 - 37

DOI: https://doi.org/10.1515/rjes-2020-0005

Schlüsselwörterblack masculinity, Oscar Micheaux, race films, the Harlem Renaissance

© 2020 Fatma Chenini, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Schlüsselwörter
black masculinity, Oscar Micheaux, race films, the Harlem Renaissance