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<p>Critics belonging to cultural materialism consider that Shakespeare’s work has its own political dimension by demystifying specific forms of power. The paper deals with the way Shakespeare’s three great tragedies reveal how the authoritarian power could function through terror based on violence and dictatorship, and the abuse of that power in the world of globalisation.</p>
</abstract>

Critics belonging to cultural materialism consider that Shakespeare’s work has its own political dimension by demystifying specific forms of power. The paper deals with the way Shakespeare’s three great tragedies reveal how the authoritarian power could function through terror based on violence and dictatorship, and the abuse of that power in the world of globalisation.

Shakespeare Against Authoritarianism and Totalitarianism in the World of Globalisation

Romanian Journal of English Studies

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Critics belonging to cultural materialism consider that Shakespeare’s work has its own political dimension by demystifying specific forms of power. The paper...

Shakespeare Against Authoritarianism and Totalitarianism in the World of Globalisation

Online veröffentlicht: 05. Jan. 2021

Seitenbereich: 1 - 7

DOI: https://doi.org/10.1515/rjes-2020-0001

Schlüsselwörter
authoritarianism, globalisation, Shakespeare, totalitarianism

© 2020 Tatjana Dumitrašković, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Shakespeare Against Authoritarianism and Totalitarianism in the World of Globalisation

Online veröffentlicht: 05. Jan. 2021

Seitenbereich: 1 - 7

DOI: https://doi.org/10.1515/rjes-2020-0001

Schlüsselwörterauthoritarianism, globalisation, Shakespeare, totalitarianism

© 2020 Tatjana Dumitrašković, published by Sciendo

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.

Schlüsselwörter
authoritarianism, globalisation, Shakespeare, totalitarianism