<abstract xmlns="http://www.w3.org/1999/xhtml"><p> This article investigates how director Valeria Anderson constructed heroes in the documentaries she directed between 1960 and 1985. It also asks how far one could go with social criticism in the post-Stalinist/pre-Perestroika era, how pointed the revelations of economic disorder could be, and what rank of leadership could be blamed for the occurrences of these problems. The article concentrates on the documentaries made by Valeria Anderson that depict positive heroes sacrificing their personal interests for the good of the homeland. The narratives are examined by using discourse analysis.</p></abstract>

This article investigates how director Valeria Anderson constructed heroes in the documentaries she directed between 1960 and 1985. It also asks how far one could go with social criticism in the post-Stalinist/pre-Perestroika era, how pointed the revelations of economic disorder could be, and what rank of leadership could be blamed for the occurrences of these problems. The article concentrates on the documentaries made by Valeria Anderson that depict positive heroes sacrificing their personal interests for the good of the homeland. The narratives are examined by using discourse analysis.

Heroes and Social Criticism in the Works of Valeria Anderson

Baltic Screen Media Review

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"Heroes and Social Criticism in the Works of Valeria Anderson"}

This article investigates how director Valeria Anderson constructed heroes in the documentaries she directed between 1960 and 1985. It also asks how far one...

Heroes and Social Criticism in the Works of Valeria Anderson

Online veröffentlicht: 29. Dez. 2017

Seitenbereich: 4 - 27

DOI: https://doi.org/10.1515/bsmr-2017-0009

© 2018

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.