[Alpers, Svetlana. 1983. The Art of Describing. Dutch Art in the Seventeenth Century. Chicago: University of Chicago Press.]Search in Google Scholar
[Balázs, Béla. 2010 [1924,1930]. Early Film Theory: Visible Man and The Spirit of Film. New York and Oxford: Berghahn Books.]Search in Google Scholar
[Bellour, Raymond. 2007 [1984]. The Pensive Spectator. In The Cinematic, ed. David Campany, 119-123. London: Whitechapel and Cambridge, Massachusetts: MIT Press.]Search in Google Scholar
[Blom, Ivo. 2010. Frame, Space, Narrative. Doors, Windows and Mobile Framing in the Films of Luchino Visconti. Acta Universitatis Sapientiae: Film and Media Studies vol. 2: 91-107.]Search in Google Scholar
[Bonitzer, Pascal. 2000 [1978]. Deframings. In Cahiers du Cinema. Volume Four: 1973-1978: History, Ideology, Cultural Struggle, ed. David Wilson, 196-203. London and New York: Routledge.]Search in Google Scholar
[Bordwell, David. 1981. The Films of Carl Theodor Dreyer. Berkeley, Los Angeles: University of California Press.]Search in Google Scholar
[Bordwell, David. 1988. Ozu and the Poetics of Cinema. London, Princeton: BFI Publishing, Princeton University Press.]Search in Google Scholar
[Brewster, Ben and Lea Jacobs. 1998. Theatre to Cinema: Stage Pictorialism and the Early Feature Film. Oxford: Oxford University Press.]Search in Google Scholar
[Burch, Noël. 1979. To the Distant Observer: Form and Meaning in the Japanese Cinema. Berkeley, Los Angeles: University of California Press.]Search in Google Scholar
[Chevrier, Jean-François. 2003. The Adventures of the Picture Form in the History of Photography. In The Last Picture Show: Artists Using Photography, 1960- 1982, ed. Douglas Fogle. 113-128. Minneapolis: Walker Art Center.]Search in Google Scholar
[Chevrier, Jean-Francois. 2006. The Tableau and the Document of Experience. In Click Double Click: The Documentary Factor, ed. Weski, Thomas, 51-61. Köln: Walther König.]Search in Google Scholar
[Cole, Georgina. 2006. WaveringbetweenTwo Worlds: the Doorway in Seventeenth- Century Dutch Genre Painting. Philament vol. 9: 1-37. http://sydney.edu.au/arts/publications/philament/issue9_pdfs/COLE_Doorways.pdf. Last accessed 25. 08. 2015.]Search in Google Scholar
[Forrest, David. 2014. The Films of Joanna Plogg: New British Realism and Class. Studies in European Cinema vol. 11 no.l: 64-75.10.1080/17411548.2014.903102]Search in Google Scholar
[Fried, Michael. 1988. Absorption and Theatricality: Painting and Beholder in the Age of Diderot. Chicago: University of Chicago Press.10.2307/431846]Search in Google Scholar
[Fried, Michael. 1992. Courbet’s Realism. Chicago: University of Chicago Press.]Search in Google Scholar
[Fried, Michael. 1998a. Art and Objecthood: Essays and Reviews. Chicago: University of Chicago Press.]Search in Google Scholar
[Fried, Michael. 1998b. Manet's Modemism: or, The Face of Painting in the 1860s. Chicago: University of Chicago Press.]Search in Google Scholar
[Fried, Michael. 2008. Why Photography Matters as Art as Never Before. New Fiaven: Yale University Press.]Search in Google Scholar
[Fried, Michael. 2011. Four Honest Outlaws. Sala. Ray, Marioni, Gordon. New Fiaven: Yale University Press.]Search in Google Scholar
[Fried, Michael. 2015. Another Light. Jacques-Louis Dávid to Thomas Demand. New Fiaven: Yale University Press.]Search in Google Scholar
[Hammer-Tugendhat. Daniela. 2015 [2009]. The Visible and the Invisible: On Seventeenth-Century Dutch Painting. Berlin, Munich, Boston: Walter de Gruyter.10.1515/9783110423013]Search in Google Scholar
[Hanich. Julian. 2014. Complex Staging. The Hidden Dimensions of Roy Andersson’s Aesthetics. Movie - A Journal ofFilm Criticisni vol. 5: 37-50.]Search in Google Scholar
[Hollander Martha. 2002. An Entrance fór the Eyes: Space and Meaning in Seventeenth-Century Dutch Art. Berkeley, Los Angeles, London: University of California Press.]Search in Google Scholar
[Loxley, James. 2007. Performativity. London, New York: Routledge.10.4324/9780203391280]Search in Google Scholar
[O’Doherty, Brian. 1986 [1976]. Inside the White Cube. The Ideology of the Gallery Space. Santa Monica, San Francisco: The Lapis Press.]Search in Google Scholar
[Mulvey, Laura. 2006. Death 24 x a Second. Stillness and the Moving Image. London: Reaktion Books.]Search in Google Scholar
[Pethő, Ágnes. 2011. Cinema and Int enne diality. The Passión fór the In-Between. Newcastle upon Tyne: Cambridge Scholars Publishing.]Search in Google Scholar
[Pethő, Ágnes. 2014. The Garden of Intermedial Delights: Cinematic ‘Adaptations’ of Bosch, írom Modernism to the Postmedia Age. Screen vol. 55 no. 4 (Winter): 471-489.]Search in Google Scholar
[Pethő, Ágnes. 2015. Figurations of the Photofilmic: Stillness versus Motion - Stillness in Motion. In The Photofilmic. Entangled Images in Contemporary Art and Visual Culture, eds. Brianne Colién and Alexander Streitberger, 221- 243. Leuven: Leuven University Press, Lieven Gevaert Series.]Search in Google Scholar
[Peucker, Brigitte. 2007. The Matériái Image. Art and the Reál in Film. Stanford: Stanford University Press.]Search in Google Scholar
[Pop. Doru. 2014. Románián New Wave Cinema. An Introduction. Jefferson, North Carolina: McFarland & Company, Inc. Publishers.]Search in Google Scholar
[Rice, Charles. 2007. Emergence of the Interior: Architecture, Modernity, Domesticity. New York: Routledge.]Search in Google Scholar
[Stoichita, Victor I. 1997. The Self-Aware Image: An Insight intő Early Modern Meta-Painting. Cambridge: Cambridge University Press.]Search in Google Scholar
[Toop. David. 2010. Sinister Resonance. The Mediumship of the Listener. London: Continuum.10.5040/9781501382864]Search in Google Scholar
[Uroskie, Andrew V. 2014. Between the Black Box and the White Cube: Expanded Cinema and Postwar Art. Chicago, London: University of Chicago Press.10.7208/chicago/9780226109022.001.0001]Search in Google Scholar
[Vidal. Belén. 2012. Figuring the Pást. Period Film and the Mannerist Aesthetic. Amsterdam: Amsterdam University Press.10.26530/OAPEN_426536]Search in Google Scholar
[Wall, Jeff. 2007 [1989], Photography and Liquid Intelligence. In Selected Essavs and Interviews, 109-110. New York: MOMA.]Search in Google Scholar
[Westermann, Mariët. 1996. The Art of the Dutch Republic, 1585-1718. London: Laurence King Publishing.]Search in Google Scholar