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“Review of Belgian Radio Orchestra Concert.” Pourquoi-Pas (21 October 1949).
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“Roman Palester.” Muzyka (May 1947).
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“Roman Palester.” Lidové Noviny (2 June 1948).
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Krzysztof Bilica, “Palester Roman.” In Polish Music. Polish Composers 1918–2010. Edited by Marek Podhajski. Gdańsk: Akademia Muzyczna im. Stanisława Moniuszki, and Katolicki Uniwersytet Lubelski Jana Pawła II, 2013.
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Mikołaj Blajda, “Roman Palester — Requiem Analiza i interpretacja dzieła”. Kraków: Akademia Muzyczna w Krakowie, 2000.
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Nadia Boulanger, “Roman Palester.” Spectateur (17 December 1946).
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Grzegorz Fitelberg to Roman Palester. Letter Collection from 1945 to 1950. University of Warsaw Library: Polish Composers Archives, Palester Collection.
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Allen Forte, The Structure of Atonal Music. New Haven: Yale University Press, 1973.
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Czeslaw Halski to Roman and Barbara Palester. Letter Collection from 29th January 1947 to 27th September 1951. Library of of Warsaw University: Polish Composers Archives, Palester Collection.
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Josef Matthias Hauer Zwölftontechnik. Die Lehre von Den Tropen. Vienna: Universal Edition, 1926.
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Zofia Helman, Roman Palester. Twórca i dzieło. Kraków: Musica Iagellonica, 1999.
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Zofia Helman, Lech Dzierżanowski, and Piotr Maculewicz, Roman Palester. Warszawa: Biblioteka Uniwersytetu Warszawskiego, 2008 [Interactive Compact Disc].
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Zofia Helman, “Roman Palester Muzyka kameralna i fortepianowa.” Trans. Mackenzie Pierce, booklet essay in cD Roman Palester. Muzyka kameralna i fortepianowa / Chamber and Piano Music, performed by Jakub Tchorzewski (piano) and Duo Viennese (Warner Music 2016).
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Elżbieta Markowska, Jana Krenza pięćdziesiąt lat z batutą. Rozmowy o muzyce polskiej. Kraków: Polskie Wydawnictwo Muzyczne, 1996.
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Thomas Nichols, “Preludes for Piano by Roman Palester; Sei Studi Per Pianoforte by Theo Bruins.” Music Library Association 21, No. 3 (Summer 1964).10.2307/894538
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Jadwiga Paja-Stach, Polish Music from Paderewski to Penderecki. Kraków: Musica Iagellonica, 2010.
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Roman Palester, Passacaglia. University of Warsaw Library: Polish Composers Archives, Palester Collection, 1953.
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Roman Palester, Preludes for Piano. New York: Southern Music Publishing, 1963.
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Roman Palester, Trois Sonnets À Orphée. University of Warsaw Library: Polish Composers Archives, Palester Collection, 1952.
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Roman Palester, Słuch absolutny. Niedokończona autobiografia i listy z lat wojny. Edited by Zofia Helman. Kraków: Polskie Wydawnictwo Muzyczne, 2017.
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Blake Parham, “The Invisible Man: Roman Palester and His Place in Post-War Polish Music.” University of Sydney, 2020.
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“Roman Palester.” Polish Music Information Centre (Polmic), http://www.polmic.pl/index.php?option=com_mwosoby&id=23&view=czlowiek&litera=18&Itemid=5&lang=en. Accessed on 8 February 2015.
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Polskie Wydawnictwo Muzyczne, “Certificate to Commemorate Roman Palester Receiving the First Post-War Music Prize of the City of Kraków in 1946.” University of Warsaw Library: Polish Composers Archives, Palester Collection, 27th October 1946.
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“Protocols from the Senate Meetings.” Kraków Academy of Music Archives: Catalogue Number: 90/27, 31st July 1945 — 28th September 1949.
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Richard Taruskin, “Preface – Music in the Late Twentieth Century.” Oxford University Press. https://www.oxfordwesternmusic.com/view/Volume5/actrade-9780195384857-miscMatter-011008.xml. Accessed on 26th June 2020.
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Various, “Press Clippings Collected by the Composer and Held in His Personal Archives.” University of Warsaw Library: Polish Composers Archives, Palester Collection, 1930–1990.
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Michał Waszyński, Zabawka. Falanga Film Studio, 1933.
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Arnold Whittall, The Cambridge Introduction to Serialism. New York: Cambridge University Press, 2008.
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Związek Autorów i Kompozytorów Scenicznych to Roman Palester. Letter Collection from 1949 to 1979. University of Warsaw Library: Polish Composers Archives, Palester Collection.
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