<abstract xmlns="http://www.w3.org/1999/xhtml"><p> In the analogue era, fan studies explored localized resistance within fan communities’ cultural practices, examining how this might lead to new understandings of gender, sexuality, and race. However, there has been less work that examines the consequences fans’ cultural practices using digital media have for the cultural politics of ‘poaching’. The current article presents a study of online fans’ perceptions of positively depicted Muslim characters from the Middle East in the television serial, 24. Like the rest of the show’s regular cast, these characters should be in focus for fans in their competing interpretations and evaluations of each episode in online discussion forums. The study comprises a comparison of how two online fan communities, one in the US and one in Norway, perceive counter-stereotypical Muslim characters. An analysis of fans’ readings is carried out, and one central finding is that fans appropriated 24’s counter-stereotype in ways that can be described as reactionary.`</p></abstract>

In the analogue era, fan studies explored localized resistance within fan communities’ cultural practices, examining how this might lead to new understandings of gender, sexuality, and race. However, there has been less work that examines the consequences fans’ cultural practices using digital media have for the cultural politics of ‘poaching’. The current article presents a study of online fans’ perceptions of positively depicted Muslim characters from the Middle East in the television serial, 24. Like the rest of the show’s regular cast, these characters should be in focus for fans in their competing interpretations and evaluations of each episode in online discussion forums. The study comprises a comparison of how two online fan communities, one in the US and one in Norway, perceive counter-stereotypical Muslim characters. An analysis of fans’ readings is carried out, and one central finding is that fans appropriated 24’s counter-stereotype in ways that can be described as reactionary.`

Textual Poaching, Gamekeeping and the Counter-stereotype

Department of Information Science and Media Studies, University of Bergen

Nordicom Review

This article is distributed under the terms of the Creative Commons Attribution Non-Commercial License, which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.

US and Norwegian Online Fans’ Perceptions of Positive Portrayals of Muslims in ‘24’

In the analogue era, fan studies explored localized resistance within fan communities’ cultural practices, examining how this might lead to new understandings...

Textual Poaching, Gamekeeping and the Counter-stereotype

Published Online: Jun 06, 2014

Page range: 65 - 79

DOI: https://doi.org/10.2478/nor-2014-0005

Keywords
online television fans, Muslim characters, 24, textual poaching, counter-stereotypes

© by Rolf Halse

This article is distributed under the terms of the Creative Commons Attribution Non-Commercial License, which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.

Textual Poaching, Gamekeeping and the Counter-stereotype

Published Online: Jun 06, 2014

Page range: 65 - 79

DOI: https://doi.org/10.2478/nor-2014-0005

Keywordsonline television fans, Muslim characters, 24, textual poaching, counter-stereotypes

© by Rolf Halse

This article is distributed under the terms of the Creative Commons Attribution Non-Commercial License, which permits unrestricted non-commercial use, distribution, and reproduction in any medium, provided the original work is properly cited.

Keywords
online television fans, Muslim characters, 24, textual poaching, counter-stereotypes