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Development and empirical testing of a questionnaire-based algorithm to evaluate physical and psychosocial health status in performing artists / Entwicklung und empirische Testung eines fragebogenbasierten Algorithmus zur Erhebung des körperlichen und psychosozialen Gesundheitszustands darstellender Künstlerinnen und Künstler


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Figure 3:

Participant P0014's individual self-reported psychosocial complaints: Scores of the 12-item Shortform Survey (SF-12) aggregated to the Physical Component Summary (PCS-12) and the Mental Component Summary (MCS-12) scale (*cut-off values referring to Wirtz et al. 2018, electronic supplement 1, mean +/− 1SD for the relevant age group of P0014); scores of the 21-item Depression Anxiety Stress Scales aggregated to the Depression Scale (DASS-21_D), the Anxiety Scale (DASS-21_A), and the Stress Scale (DASS-21_S) (respective cut-off values referring to Nilges & Essau (no year)); total sum score of the Kenny Music Performance Anxiety Inventory 26-item form (K-MPAI-26) (no cut-off value available); Disability related to Depression, considered by P0014 as additional disease/symptoms).
Participant P0014's individual self-reported psychosocial complaints: Scores of the 12-item Shortform Survey (SF-12) aggregated to the Physical Component Summary (PCS-12) and the Mental Component Summary (MCS-12) scale (*cut-off values referring to Wirtz et al. 2018, electronic supplement 1, mean +/− 1SD for the relevant age group of P0014); scores of the 21-item Depression Anxiety Stress Scales aggregated to the Depression Scale (DASS-21_D), the Anxiety Scale (DASS-21_A), and the Stress Scale (DASS-21_S) (respective cut-off values referring to Nilges & Essau (no year)); total sum score of the Kenny Music Performance Anxiety Inventory 26-item form (K-MPAI-26) (no cut-off value available); Disability related to Depression, considered by P0014 as additional disease/symptoms).

Figure 4:

Participant P0014's individual descriptions and location of musculoskeletal pain/problems (physical health dimension): orange areas represent „…each of the areas where you experience pain/problems.” (MPIIQM-G, item 13a); red area represents “…the one area that hurts the most” (MPIIQM-G, item 13b).
Participant P0014's individual descriptions and location of musculoskeletal pain/problems (physical health dimension): orange areas represent „…each of the areas where you experience pain/problems.” (MPIIQM-G, item 13a); red area represents “…the one area that hurts the most” (MPIIQM-G, item 13b).

Figure 5:

Participant P0014's individual musculoskeletal and voice-specific complaints (physical health dimension): Scores of the Pain Intensity Scale of the Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians (MPIIQM-G, singers'/actors' version) (no cut-off value available) and the Pain Interference Scale of the MPIIQM-G (MPIIQM, singers'/actors' version) (no cut-off value available); Scores of the Neck Disability Index (NDI) (grading shown in stacked bars); Score of the Singing Voice Handicap Index (SVHI) (grading shown in stacked bars).
Participant P0014's individual musculoskeletal and voice-specific complaints (physical health dimension): Scores of the Pain Intensity Scale of the Musculoskeletal Pain Intensity and Interference Questionnaire for Musicians (MPIIQM-G, singers'/actors' version) (no cut-off value available) and the Pain Interference Scale of the MPIIQM-G (MPIIQM, singers'/actors' version) (no cut-off value available); Scores of the Neck Disability Index (NDI) (grading shown in stacked bars); Score of the Singing Voice Handicap Index (SVHI) (grading shown in stacked bars).

Description of the study population (N=103): Sociodemographic and performing-art-specific characteristics (PA=performing art; BMI=body mass index; IQR=interquartile range).

Age years mean (SD), range 38.57 (16.44), 18–82

Gender n (%) female 60 (58.3)
male 43 (41.7)

BMI mean (SD), range 24.6 (5.0),
17.0–45.0

PA (single answer) and specifications (multiple answers possible) n (%) instrument playing 65 (63.1)
keys 31 (47.7)
strings 28 (43.1)
wind 25 (38.5)
percussion 3 (4.6) classic 65 (71.4)
others 3 (4.6) church music 34 (37.4)
jazz 18 (19.8)
singing 26 (25.2) pop 32 (35.2)
soprano 7 (26.9) rock 15 (16.5)
mezzo soprano 10 (38.5) folk music 8 (8.8)
alto 11 (42.3) marching music 4 (4.4)
tenor 7 (26.9) musical 16 (17.6)
bass 1 (3.8) others 9 (9.9)
baritone 4 (15.4)
others 2 (7.7)

dancing 9 (8.7) ballet 6 (66.7)
jazz dance 2 (22.2)
standard 2 (22.2)
latin american 2 (22.2)
modern 3 (33.3)
others 2 (22.2)

acting 3 (2.9) theatre 2 (66.7)
others 1 (33.3)

Age of starting the PA years mean (SD), range 11.7 (8.9), 4–55
Average time of practicing the PA (recently) hours/week mean (SD), range 19.4 (15.8), 0–80
Average time of practicing the PA (since starting to perform) hours/week mean (SD), range 2.3 (2.5), 0–16.8

Income regarding PA (recently) n (%) main income 44 (42.7) n=44 with professional training in at least one of the PA
secondary income 27 (26.2) n=20 with professional activity and/or professional training in at least one of the PA
no income 32 (31.1) n=9 with professional training in at least one of the PA, n=3 with private lessons

Individual meaning of the PA for the participant (NRS from 0=no meaning at all to 10=the greatest meaning) median (IQR), range 9 (2), 2–10 For 88.4% of the artists, playing an instrument/singing/dancing/acting is very important (8–10/10 points on the NRS)

Evaluation of how bad a PA failure would be (NRS from 0=no meaning at all to 10=the greatest meaning) median (IQR), range 9(2), 1–10 For 85.4% of the artists, it would be very bad if they were no longer able to play their instrument/sing/dance/act (8–10/10 points on the NRS)
eISSN:
2296-990X
Languages:
English, German
Publication timeframe:
Volume Open
Journal Subjects:
Medicine, Clinical Medicine, other