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Cultural Interaction: The Transformation of Textile design for Traditional Cheongsam in the Republic of China


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Fig. 1

Vicissitude of cheongsam pattern theme in the Republic of China (Drawn by the Author)
Vicissitude of cheongsam pattern theme in the Republic of China (Drawn by the Author)

Table 2

Statistical table of cheongsam pattern themes in 1920s–1940s (Calculated by the Author)
Statistical table of cheongsam pattern themes in 1920s–1940s (Calculated by the Author)

Fig. 2

S-style design comparison: Western patterns and cheongsam patterns of the Republic of China (1900s–1930s) (Drawn by the Author)
S-style design comparison: Western patterns and cheongsam patterns of the Republic of China (1900s–1930s) (Drawn by the Author)

Fig. 3

Western design ways in the pattern of Cheongsam in The Republic of China (1920s–1940s). (Drawn by the Author)
Western design ways in the pattern of Cheongsam in The Republic of China (1920s–1940s). (Drawn by the Author)

Fig. 4

Cheongsam textile technical after the 1930s in the Republic of China
Cheongsam textile technical after the 1930s in the Republic of China

Fig. 5

The Meiya journal in 1928 (The Republic of China)
The Meiya journal in 1928 (The Republic of China)

Textile Design Theme for The traditional Cheongsam

Theme Design method Amount Proportion/%
Flora: Rose, lily Combination 186 72%
Geometric: Rectangle, circular, fan-shaped, triangle, Combination 67 26.6%
Leaf: Willow leaf, palm leaf, clover Combination 44 17%
Stripe: Flower line, geometric line Combination 10 4%