The Limit as Centre: Some Considerations on the Political Imagination of the In-Between, Starting from the Central Symbol of the Crime Series Bron/Broen – The Bridge

Agnese, Elena dell’ and Anne-Laure Amilhat Szary. 2015. “Borderscapes: From Border Landscapes to Border Aesthetics.” Geopolitics vol. 20 no. 1: 4–13.Search in Google Scholar

Åberg, Anders Wilhelm. 2015. “Bridges and Tunnels: Negotiating the National in Transnational Television Drama.” In Nordic Genre Film: Small Nation Film Cultures in the Global Marketplace, eds. Tommy Gustafsson and Pietari Kääpä, 91–103. Edinburgh: Edinburgh University Press.10.3366/edinburgh/9780748693184.003.0007Search in Google Scholar

Augé, Marc. 1995. Non-Places: Introduction to an Anthropology of Supermodernity. Trans. John Howe. London, New York: Verso.Search in Google Scholar

Avramescu, Cătălin. 2009. An Intellectual History of Cannibalism. Trans. from Romanian by Alistair Ian Blyth. Princeton, Oxford: Princeton University Press.10.1515/9781400833207Search in Google Scholar

Brown, Jennifer. 2013. Cannibalism in Literature and Film. Basingstoke, New York: Palgrave Macmillan.10.1057/9781137292124Search in Google Scholar

Bucken-Knapp, Gregg. 2003. “Shaping Possible Integration in the Emerging Cross-Border Øresund Region.” In Culture and Cooperation in Europe’s Borderlands, eds. James Anderson, Liam O’Dowd and Thomas M. Wilson, 55–79. Amsterdam, New York: Rodopi.10.1163/9789401201391_004Search in Google Scholar

Dall’Asta, Monica. 2009. Trame spezzate: archeologia del film seriale [Broken Plots: Archeology of the Serial Movie]. Genova: Le mani.Search in Google Scholar

Dobrescu, Caius. 2000. Semizei şi rentieri. Un studiu asupra identăţii imaginare a burgheziei modern. [Demigods and Rent-Seekers. A Study in the Imaginary Identity of Modern Bourgeoisie.] Bucharest: Nemira.Search in Google Scholar

2006. “Colliding Symbolisms of the Middle. The Emergence of the Cultural Identity of Modern Bourgeoisie.” Bulletin of the Transsylvania University of Braşov vol. 13, no. 48: 561–566.Search in Google Scholar

2015. “Moderaţia în Moromeţii: o lectură aristoteliană” [“Moderation in the Novel The Morometes: An Aristotelian Reading”]. Communication interculturelle et littérature vol. 1, no. 22: 70–85.Search in Google Scholar

Eichner, Susanne and Anne Marit Waade. 2015. “Local Colour in German and Danish Television Drama: Tatort and Bron//Broen.” Global Media Journal, German Edition vol. 5 no. 1: 1–20.Search in Google Scholar

Eliade, Mircea. 1961. The Sacred and the Profane: The Nature of Religion. Trans. Willard R. Trask. New York: Harper Torchbooks.Search in Google Scholar

Filip, Alexandru. 2018. “On New and Radical Centrism.” www.dahrendorf-forum.eu/new-radical-centrism/ (Last accessed 15 January 2018).Search in Google Scholar

Frost, Caroline. 2013. “Nordicana Festival in London Celebrates Best of Scandinavian Drama with Cast, Writers from ‘The Killing’, ‘Borgen’, ‘The Bridge’ and More.” www.huffingtonpost.co.uk/2013/06/0 (Last accessed 4 June 2019)Search in Google Scholar

Frost, Vicky. 2012. “The Bridge: Episode by Episode : Season One, Episodes Five and Six.” www.theguardian.com/tv-and-radio/tvandradioblog/2012/may/05/the-bridge-season-one-episodes-five-six (Last accessed 22 August 2019).Search in Google Scholar

García Avis, Isadora. 2015. “Adapting Landscape and Place in Transcultural Remakes: The case of Bron/Broen, The Bridge and The Tunnel.” SERIES International Journal of TV Serial Narratives vol. 1: 127–138.Search in Google Scholar

Hansen, Kim Toft and Anne Marit Waade. 2017. Locating Nordic Noir: From Beck to The Bridge. Basingstoke, New York: Palgrave Macmillan.10.1007/978-3-319-59815-4Search in Google Scholar

Hutcheon, Linda and Siobhan O’Flynn. 2013. A Theory of Adaptation. London, New York: Routledge.Search in Google Scholar

Jenner, Mareike. 2016. American TV Detective Dramas: Serial Investigations. Basingstoke, New York: Palgrave Macmillan.10.1057/9781137425669Search in Google Scholar

Jensen, Ib Keld. 2013. “The Nordic Welfare Model Makes Good TV.” Nordvision Annual Report 2012–2013: 24–25.Search in Google Scholar

Jensen, Pia Majbritt, Jakob Isak Nielsen, and Anne Marit Waade. 2016. “When Public Service Drama Travels: The Internationalization of Danish Television Drama and the Associated Production Funding Models.” Journal of Popular Television vol. 4, no. 1: 91–108.10.1386/jptv.4.1.91_1Search in Google Scholar

Keller, James R. 2008. V for Vendetta as Cultural Pastiche: A Critical Study of the Graphic Novel and Film. Jefferson, North Carolina: McFarland.Search in Google Scholar

Kubiak, Anthony. 2004. “Spelling It Out: Narrative Typologies of Terror.” Studies in the Novel vol. 36, no. 3: 294–301.Search in Google Scholar

Mackaman, Douglas and Michael Mays, eds. 2000. World War I and the Cultures of Modernity. Jackson: University Press of Mississippi.Search in Google Scholar

Manolache, Viorella. 2018. “The Politics of Feminine Body: A Manifesto and Three TV Series.” In Gender in Focus: Identities, Codes, Stereotypes and Politics, eds. Andreea Zamfira, Christian de Montlibert, and Daniela Radu, 178–191. Opladen, Berlin, Toronto: Barbara Budrich.10.2307/j.ctvddzn5f.11Search in Google Scholar

McCabe, Janet. 2019. “Bodies at the Border: Transnational Co-Produced TV Drama and Its Gender Politics in the Pilots of ‘Bron/Broen’ and Adaptations, ‘The Bridge’ and ‘The Tunnel’.” https://necsus-ejms.org/bodies-at-the-border-transnational-co-produced-tv-drama-and-its-gender-politics-in-the-pilots-of-bron-broen-and-adaptations-the-bridge-and-the-tunnel/ (Last accessed 15 August 2019).Search in Google Scholar

Mittel, Jason. 2015. Complex TV: The Poetics of Contemporary Television Storytelling. New York: NY University Press.Search in Google Scholar

Moore, Alan and David Lloyd. 1988. V for Vendetta. New York: DC Comics.Search in Google Scholar

Nicholson, Rebecca. 2014. “Scandi Crush: The Bridge’s Sofia Helin.” http://www.theguardian.com/fashion/2014/feb/15/scandi-crush-the-bridge-sofia-helin-saga-television (Last accessed 4 May 2019).Search in Google Scholar

O’Dell, Tom. 2003. “Øresund and the Regionauts.” In Culture and Cooperation in Europe’s Borderlands, eds. James Anderson, Liam O’Dowd and Thomas M. Wilson, 31–53. Amsterdam, New York: Rodopi.10.1163/9789401201391_003Search in Google Scholar

Reichert, Dagmar. 1992. “On Boundaries.” Environment and Planning D 10: 87–98.10.1068/d100087Search in Google Scholar

Relph, Eward. 1976. Place and Placelessness. London: Pion.Search in Google Scholar

Robbins, Bruce. 2017. “The Detective is Suspended: Nordic Noir and the Welfare State.” In Crime Fiction as World Literature, eds. Louise Nilsson, David Damrosch and Theo D’haen, 47–58. New York, London: Bloomsbury.Search in Google Scholar

Sharpe, J. A. 2005. Remember, Remember: A Cultural History of Guy Fawkes Day. Cambridge, Mass.: Harvard University Press.Search in Google Scholar

Steiner, Tobias. 2017. “Bron/Broen, the Pilot Episode as Space between Cultures, and (Re)Negotiations of Nordic Noir.” https://hcommons.org/deposits/item/hc:17247/ (Last accessed 15 August 2019).10.33767/osf.io/e3uyqSearch in Google Scholar

Stougaard-Nielsen, Jakob. 2017. Scandinavian Crime Fiction. New York, London: Bloomsbury.Search in Google Scholar

Syvertsen, Trine, Gunn Enli, Ole J Mjøs, and Hallvard Moe. 2014. The Media Welfare State: Nordic Media in the Digital Age. Ann Arbor: The University of Michigan Press.10.3998/nmw.12367206.0001.001Search in Google Scholar

Thrift, Nigel. 1994. “Inhuman Geographies: Landscapes of Speed, Light and Power.” In Writing the Rural: Five Cultural Geographies, ed. Paul J. Cloke, 191–250. London: Paul Chapman.Search in Google Scholar

Townsend, Lucy. 2015. “How The Bridge’s Heroine Became a Role Model for Women with Autism.” www.bbc.com/news/disability-34995327 (Last accessed 4 June 2019).Search in Google Scholar

Waade, Anne Marit. 2016. “Nordic Noir Tourism and Television Landscapes: In the Footsteps of Kurt Wallander and Saga Norén.” Scandinavica vol. 55, no. 1: 41–64.Search in Google Scholar

Witoszek, Nina and Øystein Sørensen. 2018. “Nordic Humanism as a Driver of the Welfare Society.” In Sustainable Modernity: The Nordic Model and Beyond, eds. Nina Witoszek & Atle Midttun, 36–58. London, New York: Routledge.10.4324/9781315195964-3Search in Google Scholar

Yeats, William Buttler. 1996. “The Second Coming.” In William Butler Yeats: Selected Poems and Four Plays, ed. M.L. Rosenthal, 89-90. New York: Scribner.Search in Google Scholar