[Beekman, Rene. 2005. Review of New Philosophy for New Media, by Mark B.N. Hansen. Leonardo vol. 38 no. 4: 355-356.]Search in Google Scholar
[Bergson, Henri. 1991 [1896]. Matter and Memory. New York: Zone Books.]Search in Google Scholar
[Bonitzer, Pascal. et al. 2000 [1986]. The Brain is the Screen. An Interview with Gilles Deleuze. In The Brain Is the Screen: Deleuze and the Philosophy of Cinema, ed. Gregory Flaxman, 365-73. Minneapolis: University of Minnesota Press.]Search in Google Scholar
[Deleuze, Gilles. 2009 [1983]. Cinema 1. The Movement-Image. London: Continuum.]Search in Google Scholar
[Deleuze, Gilles. 1989 [1985]. Cinema 2. The Time-Image. London: The Athlone Press.]Search in Google Scholar
[Eagleton, Terry. 2000. The Idea of Culture. Oxford and Malden: Blackwell.]Search in Google Scholar
[Haines, Christian. 2011. Corporeal Time. The Cinematic Bodies of Arthur Rimbaud and Gilles Deleuze. Angelaki vol. 16 no. 2: 103-126.10.1080/0969725X.2011.591590]Search in Google Scholar
[Hansen, Mark B.N. 2009. Living (with) Technical Time. From Media Surrogacy to Distributed Cognition. Theory, Culture & Society vol. 26 no. 2-3: 294-315.]Search in Google Scholar
[Hansen, Mark B.N. 2006 [2004]. New Philosophy for New Media. Cambridge: MIT Press.]Search in Google Scholar
[Manovich, Lev. 2001. The Language of New Media. Cambridge and London: The MIT Press.]Search in Google Scholar
[Marks, Laura U. 2000. The Skin of the Film. Intercultural Cinema, Embodiment, and the Senses. Durham and London: Duke University Press.10.2307/j.ctv1198x4c]Search in Google Scholar
[Massumi, Brian. 2002. Parables for the Virtual. Movement, Affect, Sensation. Durham and London: Duke University Press. 10.1215/9780822383574]Search in Google Scholar
