Open Access

Representations of Non-Being in David Lynch’s Eraserhead, Edmund Elias Merhige’s Begotten, and Darren Aronofsky’s Pi: A Comparative Analysis from Indian Philosophy Perspectives


Cite

Agud, Ana. Los poemas del ser y el no ser y sus lenguajes en la historia. Abada Editores, 2017. Search in Google Scholar

Armstrong, Richard, Tom Charity, Llloyd Hughes, and Jessica Winter. The Rough Guide to Film. Rough Guides, 2007. Search in Google Scholar

Aronofsky, Darren, director. Pi. Harvest Filmworks, 1998. Search in Google Scholar

Guénon, René. Introduction to the Study of the Hindu Doctrines. Sophia Perennis, 2004. Search in Google Scholar

Guénon, René. Studies in Hinduism. Sophia Perennis, 2004. Search in Google Scholar

Hoberman, J. The Magic Four: Film at Fin de Siècle. Temple UP, 2003. Search in Google Scholar

Lynch, David, director. Eraserhead. American Film Institute, 1977. Search in Google Scholar

Mathijs, Ernest, and Jamie Sexton. Cult Cinema: An Introduction. John Wiley and Sons, 2011. Search in Google Scholar

McGowan, Todd. The Impossible David Lynch. Columbia UP, 2007. Search in Google Scholar

Merhige, Edmund Elias, director. Begotten. Theatre of Material, 1991. Search in Google Scholar

Merhige, director. Din of Celestial Birds. Hermes, Q6 Productions, 2006. Search in Google Scholar

Merhige, director. Polia & Blastema. Century Guild, 2021. Search in Google Scholar

Muir, John Kenneth. Horror Films of the 1990s. McFarland, 2011. Search in Google Scholar

Olson, Greg. David Lynch: Beautiful Dark. Scarecrow Press, 2008. Search in Google Scholar

Parciack, Ronnie. “The World as Illusion: Rediscovering Mulholland Dr. and Lost Highway through Indian Philosophy.” The Philosophy of David Lynch, edited by William J. Devlin and Shai Biderman, UP of Kentucky, 2011, pp. 77-91. Search in Google Scholar

Skorin-Kapov, Jadranka. Darren Aronofsky’s Films and the Fragility of Hope. Bloomsbury Academic, 2016. Search in Google Scholar

Southwoth, Jason. “«In Heaven Everything Is Fine»: Erasing Traditional Morality.” The Philosophy of David Lynch, edited by William J. Devlin and Shai Biderman, UP of Kentucky, 2011, pp. 189-205. Search in Google Scholar

Thompson, Kristin, and David Bordwell. Film History: An Introduction. 2nd edition. McGraw-Hill Higher Education, 2003. Search in Google Scholar

Verrone, William E. B. The Avant-Garde Feature Film: A Critical History. McFarland and Company, 2012. Search in Google Scholar

eISSN:
1841-964X
Language:
English