<abstract xmlns="http://www.w3.org/1999/xhtml"><p> This article analyses and maps the links between caricature and animated film, as well as their development during the post-World War II era, in communist Eastern Europe. The article also deals with the specific nature of animation production under the conditions of political censorship and the utilisation of Aesopian language as an Eastern European phenomenon for outmanoeuvring censorship.</p></abstract>

This article analyses and maps the links between caricature and animated film, as well as their development during the post-World War II era, in communist Eastern Europe. The article also deals with the specific nature of animation production under the conditions of political censorship and the utilisation of Aesopian language as an Eastern European phenomenon for outmanoeuvring censorship.

On the Links between Caricatures and Animated Films in Communist Eastern Europe

Baltic Screen Media Review

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.

{"article-title":"On the Links between Caricatures and Animated Films in Communist Eastern Europe"}

This article analyses and maps the links between caricature and animated film, as well as their development during the post-World War II era, in communist...

On the Links between Caricatures and Animated Films in Communist Eastern Europe

Published Online: Dec 29, 2017

Page range: 28 - 41

DOI: https://doi.org/10.1515/bsmr-2017-0010

© 2018

This work is licensed under the Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License.