Equações Como Ícones (Seguidos Das Suas Peircianas “Verdades Insuspeitadas”)

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This paper will philosophically extend Julian Leff’s Avatar therapy paradigm (AT) for voice-like hallucinations that was initially proposed for treatment-resistant Schizophrenia patients into the realm of gesture-enhanced embodied cognition and Virtual Reality (VR), entitled g+TA (gesture-enhanced Avatar Therapy). I propose an philosophy of technology approach of embodied rhetorics of triadic kinetic “actions” in the sense of Charles Sanders Peirce that transforms the voice hallucination incorporated by an avatar- and that can confront acousmatic voice-like hallucinations with a method of gesture synchronization and dyssynchronization and gestural refusal of interaction that the player with the Avatar can resist in full embodiment. This paper therefore introduces a gesture-enhanced, extended version of Cybertherapy with Avatars that tackle multimodal bodily experience of voice-like hallucinations beyond mere visual or auditory stimulation. This is put forward theoretically in a 4E-cognition approach that expands Avatar Therapy with gestures into VR.
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Hacking into Cybertherapy: Considering a Gesture-enhanced Therapy with Avatars (g+TA)

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The expression “end of nature” has been coined by American environ-mentalist Bill McKibben is his 1989 famous book, <italic>The End of Nature</italic>. Since then, the philosophical implications of such an obituary have been explored, mainly on an ethical perspective over the environment. The conceptual end of nature is one of those implications, in the context of a post-naturalistic environmental philosophy. Our purpose is to build upon the ambiguities of “nature” and reframe some readings of the concept of “integrity” as a guiding principle in the relation between human beings and the environment.
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Perspetivar a Integridade Depois do Fim da Natureza

Jean-Yves Mercury, Chemins Avec et Autour de Merleau-Ponty (Paris, L’Harmattan, 2019)

Fernando R. Contreras, El Arte en la Cibercultura - Introducción a una Estética Comunicacional, Madrid: Editorial Biblioteca Nueva, 2018

Franck Jedrzejewski, Hétérotopies musicales: Modèles mathématiques de la musique (Paris, Hermann, 2019)

AHEAD OF PRINT

Volume 24 (2020): Issue 1 (December 2020)

Volume 23 (2020): Issue 1 (December 2020)

Volume 22 (2019): Issue 1 (December 2019)

Volume 21 (2019): Issue 1 (June 2019)

Volume 20 (2018): Issue 1 (June 2018)

Volume 19 (2017): Issue 1 (December 2017)

Volume 18 (2017): Issue 1 (April 2017)

Volume 17 (2016): Issue 1 (December 2016)

Volume 16 (2016): Issue 1 (October 2016)

Volume 15 (2016): Issue 1 (April 2016)

Kairos. Journal of Philosophy & Science

 Kairos. Journal of Philosophy &amp; Science is an open access peer reviewed journal published by the Center for Philosophy of Science of the University of Lisbon (CFCUL) on a three-monthly basis (issues in March, July and November). Following CFCUL’s main objectives, Kairos aims to publish original and consistent research in the areas of Philosophy of Science and of Philosophy and Science. In that sense, it accepts philosophical papers motivated by scientific research as well as philosophically relevant scientific papers, from areas such as metaphysics, politics, ethics, aesthetics, logic, philosophy of language, philosophy of mind and cognition, philosophy of mathematics, philosophy of physics, and philosophy of biology.  The journal does not have article processing charges (APCs) nor article submission charges.  Acceptance Rate:   20%   Archiving  Sciendo archives the contents of this journal in Portico - digital long-term preservation service of scholarly books, journals and collections.  Plagiarism Policy  The editorial board is participating in a growing community of Similarity Check System's users in order to ensure that the content published is original and trustworthy. Similarity Check is a medium that allows for comprehensive manuscripts screening, aimed to eliminate plagiarism and provide a high standard and quality peer-review process. 