12 Articoli
Accesso libero | 30 mag 2014
Thinking Like a Carpet: Embodied Perception and Individuation in Algorithmic Media
Accesso libero | 30 mag 2014
Seeing to Believe – Sensing to Know From Film Form to Perceptual Environment
Accesso libero | 30 mag 2014
Geography of the Body: Jean Epstein’s Poetics and Conceptualization of the Body in his Unpublished Writings
Accesso libero | 30 mag 2014
Avoid Contact with the Eyes and Skin, May Cause Irritation: Agnès Varda’s La Pointe courte (1954)
Accesso libero | 30 mag 2014
Haptic Vision and the Experience of Difference in Agnès Varda’s Les Glaneurs et la glaneuse (2000)
Accesso libero | 30 mag 2014
Of Artists and Models. Italian Silent Cinema between Narrative Convention and Artistic Practice
Accesso libero | 30 mag 2014
The Body as Interstitial Space between Media in Leçons de Ténèbres by Vincent Dieutre and Histoire d’un Secret by Mariana Otero
Accesso libero | 30 mag 2014
Sensations of Dysphoria in the Encounter of Failing Bodies: The Cases of Karaoke by Donigan Cumming, Last Days by Gus Van Sant, and Drunk by Gillian Wearing
Accesso libero | 30 mag 2014
The New Realistic Trend in Contemporary World Cinema: Ramin Bahrani’s Chop Shop as a Case Study
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