Accesso libero | 30 apr 2021
Resource Integration, Value Co-Creation, and Service-dominant Logic in Music Marketing: The Case of the TikTok Platform
  
Accesso libero | 30 set 2021
How Has Digitalisation Influenced Value in the Music Market?
,  e   
Accesso libero | 22 mag 2021
Hang with Me—Exploring Fandom, Brandom, and the Experiences and Motivations for Value Co-Creation in a Music Fan Community
 e   

Accesso libero | 13 lug 2022
Showcase Festivals: Gatekeepers and Bridge Builders in the Music Industries
 e   
Accesso libero | 08 apr 2022
Stream of Conscience? Live Music Streaming: Utility, Capital and Control
 e   
Accesso libero | 30 set 2023
A Perspective on NFTs in the Arts-and-Music Industry*
 e   
Informazioni sulla rivista
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Editor-in-Chief
Tschmuck Peter, University of Music and Performing Arts Vienna, Austria

Managing Editor
Tschmuck Peter, University of Music and Performing Arts Vienna, Austria

Editorial Advisory Board
Frith Simon, University of Edinburgh, UK
Oberholzer-Gee, Felix, Harvard Business School, USA

Editors
Collopy Dennis, University of Hertfordshire, UK
Morrow Guy, University of Melbourne, Australia
Stewart Sarita, Belmont University, USA
Toppin Julia, University of Westminster, London, UK
Winter Carsten, Hanover University of Music, Drama and Media, Germany

Language Editors
Collopy Dennis, University of Hertfordshire, UK
Morrow Guy, University of Melbourne, Australia

Technical Editors
Tschmuck Peter, University of Music and Performing Arts Vienna, Austria

Journal Editorial office contact:
Peter Tschmuck
tschmuck@mdw.ac.at

Sciendo, a part of Paradigm Publishing Services