[Baglia, J. and Foster, E., 2005. “Performing the ‘Really’ Real: Cultural Criticism, Representation, and Commodification in The Laramie Project.” In: Journal of Dramatic Theory and Criticism, Spring, pp. 127–145.]Search in Google Scholar
[Beck, J. L., Belliveau, G., Lea, G. W. and Wager, A., 2011. “Delineating a Spectrum of Research-Based Theatre.” In: Qualitative Inquiry, vol. 17, no. 8, pp. 687–700.10.1177/1077800411415498]Search in Google Scholar
[Bindel, J., 2014. “The truth behind America’s most famous gay-hate murder.” In: The Guardian, 26 October 2014. Available at: <https://www.theguardian.com/world/2014/oct/26/the-truth-behind-americas-most-famous-gay-hate-murder-matthew-shepard>.]Search in Google Scholar
[Brown, R., 2005. “Moises Kaufman: The Copulation of Form and Content.” In: Theatre Topics, vol. 15, no. 1, pp. 51–67.10.1353/tt.2005.0004]Search in Google Scholar
[Claycomb, R. M., 2003. “(Ch)oral History: Documentary Theatre, the Communal Subject and Progressive Politics.” In: Journal of Dramatic Theory and Criticism, Spring, pp. 95–121.]Search in Google Scholar
[Dolan, J., 2005. Utopia in Performance: Finding Hope at the Theater. Ann Arbor: University of Michigan Press.10.3998/mpub.119520]Search in Google Scholar
[Fortier, M., 2016. Theory/Theatre: An Introduction. New York: Taylor & Francis.10.4324/9781315697628]Search in Google Scholar
[Gibson, J., 2011. “Saying it Right: Creating Ethical Verbatim Theatre.” In: NEO: Journal for Higher Degree Research Students in the Social Sciences and Humanities, vol. 4, pp. 1–18.]Search in Google Scholar
[Kaufman, M., 2014. The Laramie Project and The Laramie Project: Ten Years Later. New York: Vintage Books.]Search in Google Scholar
[Lehmann, H.-T., 2006. Postdramatic Theatre, London: Routledge.10.4324/9780203088104]Search in Google Scholar
[McKenna, J., 2014. “Creating Community Theatre for Social Change.” In: Studies in Theatre and Performance, vol. 34, no. 1, pp. 84–89.10.1080/14682761.2013.875721]Search in Google Scholar
[Snyder-Young, D., 2010. “Beyond ‘An Aesthetic of Objectivity’: Performance Ethnography, Performance Texts, and Theatricality.” In: Qualitative Inquiry, vol. 16, no. 10, pp. 883–893.10.1177/1077800410383119]Search in Google Scholar
[Suk, J., 2015. “Immanent Performances in the Writing of Tim Etchells.” In: From Theory to Practice 2014: Proceedings of the Sixth International Conference on Anglophone Studies. Zlín: Univerzita Tomáše Bati ve Zlíně, pp. 145–162.]Search in Google Scholar
[Turner, V. W., 1967. The Forest of Symbols: Aspects of Ndembu Ritual. Ithaca: Cornell University Press.]Search in Google Scholar
[Wren, C., 2013. “Despite Hurdles Put Up by Government Shutdown, Ford’s Stages Fine ‘Laramie Project’.” In: The Washington Post, 2 October 2013 [2018-02-27]. Available at: <https://www.washingtonpost.com/entertainment/theater_dance/despite-hurdles-put-upby-government-shutdown-fords-stages-fine-laramie-project/2013/10/02/9cf8f24c-2b93-11e3-b141-298f46539716_story.html?utm_term=.4ab4d143953c>.]Search in Google Scholar