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  2. 1918-2018: 100 Years of Theater Research in Iași
  3. Ștefan Oprea – the Profile of an Authentic Researcher

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1918-2018: 100 Years of Theater Research in Iași
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Formato
Conferencia
ISBN
978-3-11-065382-3
Publicado por primera vez
11 Oct 2021
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Inglés
Derechos de autor
© 2019 AuthorsThis work is licensed under the Creative Commons Attribution 4.0 International License.

Ștefan Oprea – the Profile of an Authentic Researcher

Acceso abierto
Publicado en línea el: 25 Jan 2019
License
Formato
Conferencia
ISBN
978-3-11-065382-3
Publicado por primera vez
11 Oct 2021
Idiomas
Inglés
Derechos de autor
© 2019 AuthorsThis work is licensed under the Creative Commons Attribution 4.0 International License.
Frontmatter
Contents
The Mentors’ Legacy
About Pedagogy: Generational Theatre
Theatre Research, between to Be or Not to Be…
Ideology vs. Re-Theatricalization. Vasile Alecsandri National Theatre in Iaşi. Documentary: 1947-1971
Chirița in the Province - Radiography of a Century. (Iaşi National Theatre - 1952, 1982, 1997, 2018)
19th Century Roots of the Scenography in Iaşi, which Left an Impact on the Art of Performance in the Theatre of Iaşi
Censorship in Theatres. System Analysis. The Mechanisms for Creating a Theatre Repertoire. Literary Secretariat - Creator / Maker of Directorial Views
Defining Aspects in Forming the Artistic Personality of the Animation Theatre Actor
About the Innovative Role of the Animated Object on the Dramatic Theatre Scene
Styles, Techniques and Interpretations in the Creation of Bunraku Puppets
School as a Laboratory
The Actor’s Body as a Performing Space for the Animated Object (from the Perspective of Nicolas Gousseff’s Artistic Beliefs and the Feldenkrais Method in Puppetry)
The Expressivity of an Actor’s Speech on and off the Stage
Psycho-pedagogical Approaches in the Training of the Acting Student
The Identity of Romanian Ballet
Matei Vișniec – Romanian Playwright and Promoter of Young Talents
Ștefan Oprea – the Profile of an Authentic Researcher
Researchers for Iași, Revolving around Shakespeare’s Plays
The Monologue in the Dramatic Text and in the Performance
Dramaturgy – Society’s Mirror
Theological and Philosophical Aspects of the Fool in England
Interferences and Connections between Samuel Beckett’s Prose and Theatre – a Few Situations Encountered in My Research
The Modernity of a Dramatic Art Lecture at the Beginning of the Twentieth Century
Balance and Imbalance in the Process of Research of Gogol’s Characters
The New Wave of Romanian Independent Theatre: Ethical and Aesthetic Trends
The New Wave of Independent Theatre in Romania – Some Considerations
Theatricality in the Beginning of the Posthuman Era
Theatre and Creative Industries