[[1] LaBat, K. L., and Sokolowski, S. L. (1999). A three-stage design process applied to an industry-university textile product design project. Clothing and Textiles Research Journal, 17(1), 11-20.10.1177/0887302X9901700102]Search in Google Scholar
[[2] McKinney, E. C., Bye, E., & LaBat, K. (2012). Building patternmaking theory: a case study of published patternmaking practices for pants. International Journal of Fashion Design, Technology and Education, 5(3), 153-167.10.1080/17543266.2012.666269]Search in Google Scholar
[[3] Rissanen, Timo. “Types of fashion design and patternmaking practice.” Nordes 2 (2007). University of Arts, Crafts and Design, Stockholm, Sweden May 27, 2007 - May 3010.21606/nordes.2007.038]Search in Google Scholar
[[4] Ericsson K. A, Krampe Ralf Th. and Tesch-Romer C. (1993) The Role of Deliberate Practice in the Acquisition of Expert Performance, Psychological Review, 100(3), 363-406.10.1037/0033-295X.100.3.363]Search in Google Scholar
[[5] Dean Keith Simonton; Creative Productivity. (1997) A Predictive and Explanatory Model of Career Trajectories and Landmarks, Psychological Review, 104(1), 66.10.1037/0033-295X.104.1.66]Search in Google Scholar
[[6] Poulisse N and Schils E (1989). The Influence of Task- and Proficiency-related Factors on the Use of Compensatory Strategies: A Quantitative Analysis, Language Learning, 39(1), 15-46.10.1111/j.1467-1770.1989.tb00590.x]Search in Google Scholar
[[7] Johnson-Laird P. The Computer and the Mind: An Introduction to Cognitive Science, Harvard University Press, Cambridge, MA, 1989.]Search in Google Scholar
[[8] Kaufman, James C., Claudia A. Gentile, and John Baer. (2005) Gifted Child Quarterly Do gifted student writers and creative writing experts rate creativity the same way?.” 49(3) 260-265.]Search in Google Scholar
[[9] Oura Y, Sōzō-teki ginō ryōiki ni okeru jukutatsu-ka no ninchi shinrigakutekikenkyū [Cognitive Psychology Studies of Proficiency of Skills in the Creative Area], Kazamashobo, Tokyo [in Japanese], 2000.]Search in Google Scholar
[[10] C.H.M. Hardaker, G.J.W. Fozzard. (1997) “The bra design process - a study of professional practice”, International Journal of Clothing Science and Technology, Vol. 9 Iss: 4, pp.311 - 32510.1108/09556229710175795]Search in Google Scholar
[[11] Kim KO, Takatera M and Otani T. Effect of a Patternmaker’s Proficiency on Clothing Production, 2014.11.20-21, Global Fashion Conference 2014, Belgium, Ghent.]Search in Google Scholar
[[12] Kim KO, Miyatake K, Sano K, Takatera M and Otani T. (2013) Comparison of high-end tailored jackets for readyto- wear produced in Italy and Japan, International Journal of Affective Engineering, 13(1), 35-41.10.5057/ijae.13.35]Search in Google Scholar
[[13] Kim KO, Miyatake K, Sano K, Takatera M and Otani T. (2013) Research on Jacket Patterns and Specifications of Ready-to-wear for High-end in Italy and Japan, International Journal of Affective Engineering, 13(1), 27-33. 10.5057/ijae.13.27]Search in Google Scholar
[[14] Otani T, Kim KO, Takahashi M, Inui S, Morikawa H and Takatera M. (2014) International Presence and Fashion Business in Japan: To Advocate the Construction of Fashion Engineering, Journal of Japan Society of Kansei Engineering, 12(4) 1-40.]Search in Google Scholar
[[15] Frings GS, Fashion: From Concept to Consumer, 9th Edition, Prentice Hall, New Jersey, 2007. ]Search in Google Scholar