rss_2.0Nordic Journal of Media Studies FeedSciendo RSS Feed for Nordic Journal of Media Studieshttps://sciendo.com/journal/NJMShttps://www.sciendo.comNordic Journal of Media Studies 's Coverhttps://sciendo-parsed-data-feed.s3.eu-central-1.amazonaws.com/60e4d8c928ee395c95671546/cover-image.jpg?X-Amz-Algorithm=AWS4-HMAC-SHA256&X-Amz-Date=20210924T021214Z&X-Amz-SignedHeaders=host&X-Amz-Expires=604800&X-Amz-Credential=AKIA6AP2G7AKDOZOEZ7H%2F20210924%2Feu-central-1%2Fs3%2Faws4_request&X-Amz-Signature=132168af9c62a66c87e598143e5ebc159e0e310909d77e0f9a41425a47c9211f200300The climate change movement and political parties: Mechanisms of social media and interaction during the 2019 electoral period in Finlandhttps://sciendo.com/article/10.2478/njms-2021-0003<abstract> <title style='display:none'>Abstract</title> <p>Building on the framework of electoral contention, we investigate the interaction dynamics between social movements and political parties during elections. We argue that social media today is an important venue for these interactions, and consequently, analysing social media data is useful for understanding the shifts in the conflict and alliance structures between movements and parties. We find that Twitter discussions on the climate change movement during the 2019 electoral period in Finland reveal a process of pre-election approaching and post-election distancing between the movement and parties. The Greens and the Left formed mutually beneficial coalitions with the movement preceding the elections and took distance from one another after these parties entered the government. These findings suggest that research on movement-party interaction should pay more attention to social media and undertake comparative studies to assess whether the approaching-distancing process and its constituent mechanisms characterise movements beyond the climate strikes in Finland.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00The difference between “alarmist” and “alarming”: Interview with Maxwell Boykoffhttps://sciendo.com/article/10.2478/njms-2021-0011ARTICLE2021-07-06T00:00:00.000+00:00Premediating climate change in videogames: Repetition, mastery, and failurehttps://sciendo.com/article/10.2478/njms-2021-0010<abstract> <title style='display:none'>Abstract</title> <p>This article starts with the observation that growth-oriented, techno-futurist narratives are predominant in climate change videogames. It then accounts for the lack of variety by arguing that these videogames are privileged expressions of premediation. Premediation cultivates a multiplicity of future scenarios, while at the same time delimiting them to suit presentist concerns, evoking a sense of inevitability and predictability strengthened by repetition. The iterative, branching temporality at work in this logic is deeply ingrained in videogames, as the trope of mastery through repetition and its analysis requires attentiveness to the affective dimensions of gameplay. If videogames are to engage with the climate crisis more productively, they must develop different temporalities in which the potentiality of the future is preserved. In this article, I analyse the games <italic>Fate of the World</italic> and <italic>The Stillness of the Wind</italic> to demonstrate how videogames premediate climate change and how they can explore other temporalities latent in the present.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Aesthetic practices in the climate crisis: Intervening in consensual frameworks of the sensible through imageshttps://sciendo.com/article/10.2478/njms-2021-0009<abstract> <title style='display:none'>Abstract</title> <p>Previous research has shown that Western visual journalism has represented climate change through certain repetitive and stereotypical imagery mainly consisting of catastrophic images of climate change impacts, images depicting technological causes and solutions, and images of politicians and activists. This imagery has proven to be distant, abstract, and ineffective in motivating personal engagement with climate change. In this article, we claim that visual journalism's representations of climate change are rooted in the consensual frameworks of human-centredness and consumption-centredness. Leaning on Jacques Ranciére's notion of “the politics of aesthetics”, we aim to challenge these frameworks. We suggest, with examples from visual arts, four aesthetic practices which could intervene in these frameworks: 1) revealing connectedness, 2) recognising agency, 3) compromising the attractions of consumerism, and 4) illuminating alternatives. We propose that visual representations, renewed through these aesthetic practices, could have an effect on how people connect to climate issues and imagine possibilities for agency in the climate crisis. Implementing these aesthetic practices would entail shifts in the sphere of visual journalism.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Just “performance nonsense”?: How recipients process news photos of activists’ symbolic actions about climate change politicshttps://sciendo.com/article/10.2478/njms-2021-0004<abstract> <title style='display:none'>Abstract</title> <p>In this article, I investigate how recipients make sense of images that show symbolic actions by environmental activists during two recent United Nations Climate Change Conferences. Environmental advocacy groups are successful in creating visibility for their symbolic actions via news visuals, but little empirical evidence exists about how ordinary media recipients engage with this type of imagery. Can they understand the intended meaning of complex visual rhetoric used by environmental activists? I use think-aloud protocols to uncover the cognitive strategies which are used in processing these stylised visual claims. Results show that news photos rarely manage to communicate the intended meaning of symbolic actions. By systematically analysing various stages of visual frame processing, this study offers insights into specific configurations of the image-viewer relationship that cause high levels of ambiguity and prevent staged visual claims from being understood as intended. Yet I also find empirical evidence for a visual framing approach that works well and describe this recipe for effective communication via symbolic action photography.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Bridging the computational and visual turn: Re-tooling visual studies with image recognition and network analysis to study online climate imageshttps://sciendo.com/article/10.2478/njms-2021-0008<abstract> <title style='display:none'>Abstract</title> <p>In this article, we argue that to capture the liveliness of how visual public debates like the climate controversy unfold online, we must replace snapshot and single-platform approaches with a method that can capture their temporal and cross-platform dynamics. We suggest that such a methodology could be assembled by combining image recognition, visual network analysis, and a quali-quantitative approach within a digital methods framework. We demonstrate the potential application of the methodology in a two-fold case study of 1) how the human–nature relation is visually depicted on Instagram and Twitter, and 2) how visual genres in the climate debate on Twitter change from 2015 to 2017. Through these experiments, we analyse more than a quarter million social media images to produce novel insights about the climate debate, while showcasing how the computational and visual capabilities of social science can be bridged to open up opportunities for mapping complex visual debates across platforms and time.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Media and the Climate Crisishttps://sciendo.com/article/10.2478/njms-2021-0001<abstract> <title style='display:none'>Abstract</title> <p>Recent years have seen another peak in global media attention to climate change. Driven by increasingly dire news about extreme weather, growing demands of systemic adaption and a new wave political activism, the current situation has increasingly been framed as a climate <italic>crisis</italic>. This introductory essay maps these recent developments and elaborates the conceptual potentials and limitations of the “crisis” frame. It also briefly reviews the state of the art of media research and situates the contributions of the issue into this landscape.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Agents of sustainable transition or place branding promotors?: Local journalism and climate change in Swedenhttps://sciendo.com/article/10.2478/njms-2021-0002<abstract> <title style='display:none'>Abstract</title> <p>The climate crisis concerns the whole fabric of society. Local journalism can play a key role when cities are handling the problems. In this article, I analyse local media discourses on climate change in four Swedish cities that aim to be role models in the transition towards carbon neutrality. A discourse analysis of news articles and op-eds about the climate, combined with semi-structured interviews with journalists working at four different local newspapers, shows that the climate crisis is covered in all newspapers – even if the amount and ambition varies – including the ability to fill key roles as watchdog and educator. The newsrooms’ climate focus also had to give way when the Covid-19 pandemic struck. Local decisions about transportation, food, and urban development are common topics and often debated in the local press. However, the prize-winning cities’ ambitious green plans to become climate neutral already by 2030 remain vague for the journalists and probably also their readers.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Spread of tweets in climate discussions: A case study of the 2019 Nobel Peace Prize announcementhttps://sciendo.com/article/10.2478/njms-2021-0006<abstract> <title style='display:none'>Abstract</title> <p>Characterising the spreading of ideas within echo chambers is essential for understanding polarisation. In this article, we explore the characteristics of popular and viral content in climate change discussions on Twitter around the 2019 announcement of the Nobel Peace Prize, where we find the retweet network of users to be polarised into two well-separated groups of activists and sceptics. Operationalising popularity as the number of retweets and virality as the spreading probability inferred using an independent cascade model, we find that the viral themes echo and differ from the popular themes in interesting ways. Most importantly, we find that the most viral themes in the two groups reflect different types of bonds that tie the community together, yet both function to enhance ingroup connections while repulsing outgroup engagement. With this, our study sheds light, from an information-spreading perspective, on the formation and upkeep of echo chambers in climate discussions.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Scare-quoting climate: The rapid rise of climate denial in the Swedish far-right media ecosystemhttps://sciendo.com/article/10.2478/njms-2021-0005<abstract> <title style='display:none'>Abstract</title> <p>The final years of the 2010s marked an upturn in coverage on climate change. In Sweden, legacy media wrote more on the issue than ever before, especially in connection to the drought and wildfires in the summer of 2018 and the Fridays for Future movement started by Greta Thunberg. Reporting on climate change also reached unprecedented levels in the growingly influential far-right media ecosystem; from being a topic discussed hardly at all, it became a prominent issue. In this study, we use a toolkit from critical discourse analysis (CDA) to research how three Swedish far-right digital media sites reported on climate during the years 2018–2019. We show how the use of conspiracy theories, anti-establishment rhetoric, and nationalistic arguments created an antagonistic reaction to increased demands for action on climate change. By putting climate in ironic quotation marks, a discourse was created where it was taken for granted that climate change was a hoax.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Emergent self-mediating classes in the digital semiosphere: Covid-19 conspiracies and the climate justice movementhttps://sciendo.com/article/10.2478/njms-2021-0007<abstract> <title style='display:none'>Abstract</title> <p>In this article, we advocate for media studies to adopt a systematic evolutionary-complexity model, in order to link the study of human culture and knowledge practices to the biosphere and geosphere, arguing that such global phenomena require a new kind of cultural science. For this purpose, we extend Juri Lotman's model of the semiosphere to the “digital semiosphere”, superseding inherited adversarial models in both mainstream media and media studies. We contrast the mediation of Covid-19 with that of the climate crisis, using Lotman's model to propose that, in the digital semiosphere, the global emergence of girl-led climate activism and far-right Covid-19 conspiracy groups indicates how new social classes are organising around the means of their own mediation. We discuss ways to study and forecast such emergent processes using the means of cultural data analytics and related approaches.</p> </abstract>ARTICLE2021-07-06T00:00:00.000+00:00Unboxing news automationhttps://sciendo.com/article/10.2478/njms-2019-0004<abstract> <title style='display:none'>Abstract</title> <p>News automation is an emerging field within journalism, with the potential to transform newswork. Increasing access to data, combined with developing technology, will allow further inquiries into automated journalism. Producing news text using NLG (natural language generation) is currently largely undertaken in specific, predictable news domains, such as sports or finance. This interdisciplinary study investigates how elite media representatives from Finland, Europe and the US imagine the affordances of this emerging technology for their organization. Our analysis shows how the affordances of news automation are imagined as providing efficiency, increasing output and aiding in reallocating resources to pursue quality journalism. The affordances are, however, constrained by such factors as access to structured data, the quality of automation and a lack of relevant skills. In its current form, automated text generation is seen as providing only limited benefits to news organizations that are already imagining further possibilities of automation.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00Digital payments for a digital generationhttps://sciendo.com/article/10.2478/njms-2019-0008<abstract> <title style='display:none'>Abstract</title> <p>Digitalization is both a major cause of the challenges now faced by several media industries and a source of their potential solutions. Within the book and newspaper industries, the value of the physical product is about to be surpassed by that of digitally delivered content, disrupting the distribution system that these industries have relied on for many decades. In particular, digital distribution has radically changed the way in which consumers engage in unpaid and paid media consumption.</p> <p>Anchored in the notion of disruptive innovation, and more specifically related to the idea of distribution as disruptive technology, our study investigates Generation Z’s unpaid and paid consumption of digital books and online local newspapers. Drawing on two Norwegian audience surveys, we find that both industries involve at least one disruptive actor. Generation Z relies heavily on Facebook as a distribution channel for news. Pay-walls have a negative effect on the usage of paid online local news, despite the belief that paywalled news is better than free news. In the Norwegian book industry, paper books still have a very strong position among Generation Z. Audiobooks have greater usage than e-books, and we conclude that the real disruptive actor in the Norwegian book industry is the streaming of audiobooks by actors such as Storytel.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00Introductionhttps://sciendo.com/article/10.2478/njms-2019-0001ARTICLE2019-06-26T00:00:00.000+00:00Disrupting journalism from scratchhttps://sciendo.com/article/10.2478/njms-2019-0003<abstract> <title style='display:none'>Abstract</title> <p>This article follows on from previous research by questioning the <italic>disruptive</italic> character of four French online media: <italic>Les Jours</italic> (2016), <italic>Le Quatre Heures</italic> (2013), <italic>Médiacités</italic> (2017) and <italic>Brief.me</italic> (2015). In an attempt to identify what has changed and what may have settled to become standards of contemporary pure players today, this research investigates the way in which work is organized and revenue is made and, consequently, what this may mean for the journalistic profession in general. The findings suggest that building these pure players from scratch offers the opportunity for journalists to renew their skills in a framework in which they have control over the values and the means developed to maintain them. In a precarious professional context, it appears that journalists adapt by developing an increasingly entrepreneurial profile.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00Media disruption and the public interesthttps://sciendo.com/article/10.2478/njms-2019-0002<abstract> <title style='display:none'>Abstract</title> <p>Digitization, new entrants and the disruption of business models prompt concern about the media’s societal mission. The article investigates how media managers conceptualize societal responsibility in an era of turmoil. Based on 20 semi-structured interviews with executive managers of private media companies in Norway and Flanders, the study reveals important differences in the definition of the public interest. While Flemish media managers emphasize brand value, Norwegian managers emphasize societal values, such as educating the public. When comparing managers of traditional and newer companies, a third, more straightforward market logic is also elicited, illuminating the vulnerability of traditional values.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00Disrupting video game distributionhttps://sciendo.com/article/10.2478/njms-2019-0007<abstract> <title style='display:none'>Abstract</title> <p>This article analyses the disruptive potential of Valve’s game distribution platform, Steam, focusing specifically on how Steam has evolved into a de facto online social network and how Valve uses constant feature changes as part of its corporate rhetoric. Despite its profound influence on the video game industry, scholarly inquiry into Steam has focused on analyses of user or value creation. However, Steam arguably derives its long-term disruptive potential from combining the gamification of digital distribution with the formation of ephemeral public spheres around the games that it distributes, thereby becoming a de facto online social network. To investigate this strategy, the article employs a historically comparative affordance analysis, drawing on a small data set of Steam blog posts and tech blog coverage from 2007 to 2018 to map patterns of affordance change.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00Contributorshttps://sciendo.com/article/10.2478/njms-2019-0009ARTICLE2019-07-02T00:00:00.000+00:00The delay economy of “continuity” and the emerging impatience culture of the digital erahttps://sciendo.com/article/10.2478/njms-2019-0006<abstract> <title style='display:none'>Abstract</title> <p>This article compares the “continuity” produced by private- and public service television companies and discusses whether it can survive in the digital era. In broadcast television, “continuity” carries the industry’s dominating business model: the commercial break. The present disruption to this model, caused by digital technology, over-the-top companies like Netflix and social media like Youtube, has made the television industry eager to adapt to new television viewing habits. However, based on a comparative analysis of the communicative strategies of four television companies in Denmark, the article argues that a traditional <italic>delay economy</italic> still governs the temporal structures and constructions of continuity. This delay economy draws heavily on the patience of its implied viewers. The article discusses this conceptualization of the audience in the context of an emerging <italic>impatience culture</italic> in which instant access to personalized audio-visual content and gaming on different devices are part of the viewers’ media experience.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00How streaming services make cinema more importanthttps://sciendo.com/article/10.2478/njms-2019-0005<abstract> <title style='display:none'>Abstract</title> <p>The technocultural disruption triggered by digitization has radically changed the way in which we consume films outside cinemas and transformed content providers’ business models. In Norway, between 2010 and 2016, DVD/Bluray and subscription-based streaming services switched places as major and minor platforms for home video consumption. Hence, home video consumption has migrated from a high-yielding platform at the head of the home video release cycle to a low-yielding platform at the tail end, where films also face tougher competition from drama series and international content tends to surpass local content. A case study of the earnings generated by local films released by a major distributor in this period suggests that home video revenues have diminished, making local films much more dependent on theatrical revenues and vulnerable to changes in cinema-going behaviour.</p> </abstract>ARTICLE2019-06-26T00:00:00.000+00:00en-us-1