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[1] Primary Reading
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[2] Pinter, Harold. Ashes to Ashes in Harold Pinter: Plays 4. Faber and Faber, 2012 [1996], pp. 395-433.
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[3] Secondary Sources
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[4] Billington, Michael. The Life and Work of Harold Pinter. Faber and Faber, 1996.
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[5] Dukore, Bernard F. Harold Pinter Modern Dramatists. Macmillan International Higher Education, 2016.
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[6] Esslin, Martin. Pinter the Playwright. Methuen Publishing Ltd, 2000.
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[7] Gale, Steven H. Butter’s Going Up: A Critical Analysis of Harold Pinter’s Work. Duke University, 1977
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[8] Gussow, Mel. “A Conversation (Pause) with Harold Pinter.” Critical Essays on Harold Pinter. Edited by Steven H. Gale, G.K. Hall&Co, 1990, pp. 15-34.
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[9] Grimes, Charles Vincent. A Silence Beyond Echo: Harold Pinter’s Political Theatre, 1999. New York University, PhD Dissertation. ProQuest Dissertations and Theses.
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[10] Gross, Miriam. “Pinter on Pinter.” Critical Essays on Harold Pinter. Edited by Steven
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[11] H. Gale, G.K. Hall&Co, 1990, pp. 37-44.
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[12] 9. Halwas, Andrea. A knock at the door: Politics in the Plays of Harold Pinter. 2007.
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[13] University of Calgary, Master Thesis. ProQuest Dissertations and Theses.
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[14] 10. Irigaray, Luce. Luce Irigaray: Key Writings. Continuum, 2004.
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[15] 11. Mskhaladze, Darina. “Politics and Harold Pinter’s Plays.” International Journal of Arts
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[16] & Sciences, vol 9,no 4, 2017, pp.389-392.
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[17] 12. Merritt, Susan H. “Major Critics, Strategies and Trends in Pinter Criticism.” Critical
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[18] Esssays on Pinter, Edited by Steven H. Gale, G.K. Hall&Co, 1990, pp. 307-41.
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[19] 13. Peacock, D. Keith. Harold Pinter and The New British Theatre. Greenwood, 1997.
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