Between Parentheses: The Poetics of Irrelevance in Virginia Woolf’s Experimental Fiction

[1] Bishop, E. L. (1992). The subject in Jacob’s Room. Modern Fiction Studies, 38 (1), 147-175. Search in Google Scholar

[2] Bishop, E. L. (2004). Mind the Gap: The Spaces in Jacob’s Room. Woolf Studies Annual, 10, 31-49. Search in Google Scholar

[3] Blakemore, D. (2009). Parentheticals and Point of View in Free Indirect Style. Language and Literature: Journal of the Poetics and Linguistics Association, 18 (2), 129-153. Search in Google Scholar

[4] Flint, K. (1992). Introduction. Virginia Woolf, Jacob’s Room. Oxford: Oxford University Press, xii-xxviii. Search in Google Scholar

[5] Fusini, N. (1992). Introduzione. Virginia Woolf, Al Faro. Milano: Feltrinelli, 7-30. Search in Google Scholar

[6] Goldman, J. (2006). The Cambridge Introduction to Virginia Woolf. Cambridge: Cambridge University Press. Search in Google Scholar

[7] Hattaway, J. (1993). Virginia Woolf’s Jacob’s Room: History and Memory. Women and World War 1. The Written Response, 14-30. Search in Google Scholar

[8] Humm, M. (2010). The Edinburgh Companion to Virginia Woolf and the Arts. Edinburgh: Edinburgh University Press. Search in Google Scholar

[9] Jacob’s Room (1922). Oxford: Oxford University Press, 2000. Search in Google Scholar

[10] Jensen, M. (2007). Tradition and Revelation: Moments of Being in Virginia Woolf’s Major Novels. The Cambridge Companion to the Modernist Novel, 112-125. Search in Google Scholar

[11] Lee, H. (1992). Introduction. Virginia Woolf, To the Lighthouse. London: Penguin, ix-xl. Search in Google Scholar

[12] Lilienfeld, J. (1981). Where the Spear Plants Grew: The Ramsays’ Marriage in To the Lighthouse. New Feminist Essays on Virginia Woolf, 148-169. Search in Google Scholar

[13] Little, J. (1981). Jacob’s Room as Comedy: Woolf’s Parodic Bildungsroman. New Feminist Essays on Virginia Woolf, 105-124. Search in Google Scholar

[14] McNichol, S. (1990). Virginia Woolf and the Poetry of Fiction. Taylor & Francis. Search in Google Scholar

[15] Modern Fiction (1921). The Essays of Virginia Woolf, vol. 4. London: The Hogarth Press, 1984. Search in Google Scholar

[16] To the Lighthouse (1927). Oxford: Oxford University Press, 1999. Search in Google Scholar

[17] The Diary of Virginia Woolf, 5 vols. London: The Hogarth Press, 1977-1984. Search in Google Scholar

[18] Oinam, P. (2011). Virginia Woolf’s Jacob’s Room: An Elusive Character of Jacob Flanders. Journal of Literature, Culture and Media Studies, 3 (5-6), 31-38. Search in Google Scholar

[19] Orestano, F. (1999). Jacob’s Room: crisi della prospettiva e ‘Trionfo della Morte’. La tipografia nel salotto: saggi su Virginia Woolf, 149-166. Virginia Woolf’s Works Search in Google Scholar

[20] Raitt, S. (2010). Virginia Woolf’s Early Novels: Finding a Voice. The Cambridge Companion to Virginia Woolf, 29-48. Search in Google Scholar

[21] Sotirova, V. (2007). Woolf’s Experiments with Consciousness in Fiction. Contemporary Stylistics, 7-18. Search in Google Scholar

[22] Stevenson, R. (1992). Modernist Fiction: An Introduction. New York and London: Harvester Wheatsheaf. Search in Google Scholar

[23] Van Rooyen, L. (2012). Mapping the Modern Mind: Virginia Woolf’s Parodic Approach to the Art of Fiction in ‘Jacob’s Room’. Hamburg: Diplomica. Search in Google Scholar