1. bookVolume 11 (2019): Issue 2 (December 2019)
Journal Details
License
Format
Journal
eISSN
2450-8497
ISSN
1337-9291
First Published
10 Jul 2014
Publication timeframe
2 times per year
Languages
English
access type Open Access

A voyage from Apollonian Munich to Dionysian Venice in Thomas Mann’s Death in Venice

Published Online: 21 Dec 2019
Volume & Issue: Volume 11 (2019) - Issue 2 (December 2019)
Page range: 68 - 80
Journal Details
License
Format
Journal
eISSN
2450-8497
ISSN
1337-9291
First Published
10 Jul 2014
Publication timeframe
2 times per year
Languages
English
Abstract

This paper explores the intersection of cities and the protagonist’s Apollonian-Dionysian dichotomy in Thomas Mann’s preeminent semi-autobiographical novella Death in Venice (1912) within the cultural and contextual considerations of 20th-century Munich and Venice. The protagonist Gustav von Aschenbach’s oscillation between artistic appreciation and sensual desire is personified by the contrasts Munich draws as a city of enlightenment against Venice which is the city of sensuality and freedom. The article indicates that the narrator associates Nietzsche’s conceptions of the Apollonian and Dionysian parts of human nature with Venice, which acts as a character providing crucial elucidation in regards to the mental state of the protagonist throughout the novella. Thus, the study sheds light upon the symbolic voyage Aschenbach embarks upon - from Apollonian nature to Dionysian nature; from Munich to Venice, where his predominating Dionysian nature burst out through the city, luring him to his own demise.

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